An Interview with Tricia McDermott

The Little Theater Who Could…
An Interview with Tricia McDermott.
Founder/Producing Artistic Director Airmid Theatre Company.

This following article recently appeared in the 2012 January/February Arts and Entertainment issue of GEM Magazine.

Despite arts advocacy groups’ efforts to prevent the decline of arts inclusion, the budgetary solution remains to be that the arts are perceived as an amenity. To challenge that notion, my blog First Online With Fran interviews ordinary people doing extraordinary things in The Arts to make our world a richer, deeper, better place to live. The Founder and Producing Artistic Director of the Airmid Theatre Company, Tricia McDermott shared her thoughts and vision for women in the theater and how the work at Airmid enriches our community.

Although Tricia was adamantabout NEVER starting her own theater company, the professional director/producer/consultant/educatorfelt compelled to promote classical works of women playwrights when theopportunity arose.  After the success ofthe Broadway revival of Ibsen’s A Doll’sHouse reaped Tony-Award winning accolades with Janet McTeer’s performance,McDermott found an original source called TrueWomen and wanted to present the play. When she was unable to find aproducer she pioneered the idea of a production company that would bespecifically devoted to classics by women. Founded in 2000, Airmid Theatre Company creates a safe home for womenartists, igniting broad public recognition of the essential contribution womenhave made to the worlds of theatre and dramatic literature.

One of Airmid’s missions isto establish the history of playwriting by women by professionally producingtheir work with actors of both genders, and to thereby broaden discussions ofwomen’s roles today.  Tricia shared ananecdote of a 60 year-old man who supported the theater and attended a readingof a piece called Making a Scene, acompilation of scenes of 16th to the 20th century womenplaywrights.  Although he consideredhimself to be a male feminist, and believed that he saw women as equals, “hedidn’t quite do that as much as he thought he should.”  In an email he told Tricia “He recognized thatseeing this same event told through the eyes and experience of a woman [made it]a different world.”

Airmid has an intern programwith college age students and works with some high school students in variousprograms.  A public reading of two playswritten by the German nun from the tenth century, Hrosvita of Gandersheim, wasattended by a high school English and Drama class from Babylon High School.Students were enlightened to learn through the reading that “all things of areligious nature are not strictly about religion.”

Tricia commented on thevalue of the arts, particularly the theater: “Theater lands in a very unique place. It makes people well-rounded.  Andno matter what time you start your child off, or even yourself, and getinvolved in theater, you get an opportunity to collaborate with people andcreate a team.”  As far as the new CommonCore Standards is implemented across the nation’s curriculums to prepare studentsfor college readiness Tricia felt that working in the theater fulfills thatgoal:  “You have to do it on a lot ofimagination and very little money.  Youhave to work within a budget.  You oftenhave to create something out of nothing. And you then have to market it and sell it to the world.  Theaters have an accounting office and oftena contracts department, a development department that writes grants.  We have every other aspect of business; itjust happens to be that the product is a piece of art.” 

This construct is to createjobs, to create an economic and tourist destination. Tricia explained howtheater is community based:  “The communityhas to be engaged.  It’s people speakingto each other, breathing each other’s air. It’s experiencing the same moment. For me, there is a great affinity to finding a spiritual life within thetheater whether it’s as a participant or as an audience member. But whetheryou’re participating in the actual creation or the experience of it, there’s acommunion that happens.  And you findyourself engaged with people in a way that you don’t in any other art form.”
Let us Know:  Airmidcontinues its search for performance space and is presently looking at sitesboth on the South and North shores of Long Island.  To learn more about Airmid and their programofferings go to www.airmidtheatre.org

If you’re an ordinary persondoing extraordinary things in the arts, then be sure to arrange an interviewwith First Online With Fran at www.francesmcgarry.com

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