Dani Martineck: Pronouns Matter

In the moment we’re in, I myself, as an individual, have developed certain habits in ways of being where … if I am misgendered like it happened at the beginning of this conversation, to me, it becomes a learning opportunity.

Dani Martineck is a New York-based non-binary actor, writer, and award-winning audiobook narrator with a background in experimental psychology.

I’m a storyteller. I’ve found that in communicating truthfully through the stories I tell, other people feel seen and understood, and it just radiates this ripple of openheartedness outward to places I’ll never know.

they/them – what’s this?


Dani is here to celebrate moments of connection that bridge our experiential differences and create radical empathy. They bring their experience as a storyteller (as an actor, writer, and award-winning audiobook narrator), their experience as someone with their own daily meditation practice, and their experience as one who has found meaning living between several binaries to their offerings to you.

On screen, Dani has a recurring role on Blue Bloods on CBS, they can be seen (for a few seconds) cursing at Kendall Roy on HBO’s Succession and (for many more seconds) in short queer rom com Potion Masters, as well as several other short films and series. Their first audiobook narration, for We’re Not From Here by Geoff Rodkey for Penguin Random House, won an Odyssey Honor. Through both their acting and their writing, Dani celebrates moments of connection that bridge our experiential differences and create radical empathy. They also offer meditations for free on Insight Timer and in a more personalized process for custom guided meditations.

Explore some of Dani’s work:

Screenwriter, Producer, Actor:

Experimental-narrative short film The Rushing of the Sea explores familial loss and grief as an immersive experience. Younger and Older are adult siblings who’ve just lost their mother to terminal illness. Older is processing by taking care of Younger, who has sunk into a grief where she intrusively relives the last perfect day the three of them had together: on the beach, with the rushing of the sea underscoring impermanence. When Older has to leave Younger alone for the first time since the funeral, Younger’s surreal, sensory grief threatens to drown her. She must turn into the swell and face it, accepting the help and love of her family—both here and gone—to resurface.

Screen Actor:

Voice Actor:

Give Me Away by Gideon Media

Audiobook Narrator:

We’re Not From Here by Geoff Rodkey

The Witch King & The Fae Keeper by H.E. Edgmon

Dead Collections by Isaac Fellman

Paul Takes the Form of a Mortal Girl by Andrea Lawlor 

Writer:

“Pan the Pirate”

“Merlin and the Dragons”

“Storm Magic”

Margarita Espada: Teatro Yerbabruja, a Conduit for Change

The immigrant stories that are here. . . when they see in us the possibility that it’s real. That’s why I focus on a specific community because we know the challenges . . . so young artists they see in us, [and] know that [change] is possible and we are here to support them.

Margarita Espada has traveled the world in her careers as an artist, educator and cultural organizer, training in physical approach to theater practice. Margarita is the founder and director of Teatro Experimenantal Yerbabuja, an art organization with the mission to use the arts as a tool for social change.  She is part of the faculty at the Department of Women’s and Gender Studies at Stony Brook University where she teaches theater and activism.

Teatro Yerbabruja’s mission is to use the arts as a tool for social change, to promote professional artists and to nourish emerging artists. Its programs are designed to promote creativity and to motivate civic dialogue. (The Yerbabruja is a medicinal plant from Puerto Rico that flourishes in the harshest of conditions.) 

Teatro Yerbabruja’s mission is to use the arts as a tool for social change, to promote professional artists and to nourish emerging artists. Its programs are designed to promote creativity and to motivate civic dialogue.

The Yerbabruja is a plant that flourishes in the harshest conditions and survives for a better tomorrow with just the sunlight for hope. Our mission at Yerbabruja is to connect community, art, and education and create a positive impact in the lives of the people we connect with through our work! 

Yerbabruja believes that artistic enrichment and social revitalization go hand-in-hand, and together build strong and sustainable communities. Teatro Yerbabruja’s programs are anchored in the values of racial justice that honor the contributions of people of color, and that are truly diverse, equitable, and inclusive. We understand that definitions of art, culture, and creativity depend on the cultural values, preferences, and realities of residents and other stakeholders in a given community.   

We create and produce experimental theater & use theater and other art forms to increase and encourage the understanding among people of different cultural backgrounds; provide opportunities to minority artists through performance, arts and workshops to develop their works. We provide knowledge and appreciation for the arts.

Get involved:  volunteer; artist opportunities; vendor opportunities

Margarita received her Master of Fine Art in Dramaturgy  from Stony Brook University and her Bachelor of Art in Education from Puerto Rico University. She is a New York State and Puerto Rico-certified theatre teacher with over 30 years of experience as an educator, performer, playwriter, arts activist, and cultural and community organizer.  

She has conducted research, supported school and organization change efforts, and facilitated teacher / professional learning around applied theater, culturally responsive practice, curriculum design, problem solving, and reflective communication. Margarita also works as a project manager for Center for Community Inclusion, Long Island University. Her works includes coordinating with Family Engagement Specialists/Parent Liaisons in various districts to develop and conduct family friendly practices within schools.

  Margarita has won multiple awards for her arts excellence and community work including Suffolk County Proclamation,2019, Recognition Senator Boyle, 2019. Martin Luther King Living Legend Award, NAACP Islip, NY, 2018. Citation for  Cultural Organizer, Governor Andrew Cuomo’s office, 2018, Artist of the Year, Legislator Monica Martinez, Suffolk County, NY,2016.

  She has received numerous awards and proclamations for her leadership, her art and community work including Suffolk County Proclamation,2019, Recognition Senator Boyle, 2019. Martin Luther King Living Legend Award, NAACP Islip, NY, 2018. Citation for Cultural Organizer, Governor Andrew Cuomo’s office, 2018, Artist of the Year, Legislator Monica Martinez, Suffolk County, NY,2016. Her work has been reviewed in the New York Times and by the Associated Press, Newsday, and numerous other media outlets.

Location: Second Avenue Firehouse Gallery

17 2nd Avenue
Bay Shore, NY 11706
631.626.3603

Facebook: #teatroyerbabruja

Instagram: #teatro.yerbabruja

Off-Broadway Review: ‘The Lady Liberty Theater Festival’ at Urban Stages

New York Theatre Guide Posted By: Jacquelyn Claire on: September 10, 2016

LLTF promo poster June 24

“The Lady Liberty Theater Festival,” presented by Aizzah Fatima and Monica Bauer, comprises three short punchy plays and a song in praise of freedom and against Islamophobia. As I arrived in the theater, the soundtrack was blasting out music with American themes. I got into the mood as Neil Diamond sang, “they’re coming to America.” As a recent immigrant to the shores of the Land of the Free, I felt the need to sing along, quietly.

. . .deeply satisfying. . .

The scene setter was a quirky comedy called “Lady Liberty’s Worst Day Ever,” written by Monica Bauer. Lady Liberty (Frances McGarry) has been summoned to her agent Vinnie’s office (J.Dolan Byrnes), and if she can stay off her cellphone for long enough, he will tell her the shocking news that Trump is about to rebrand her in his image and do away with the Emma Lazarus poem on her pedestal.

Cheryl King directs this comedic sketch, where she crafts a pithy little satirical stab at the “Orange” man who has literally forgotten where he comes from. Byrnes and McGarry charge around the stage with enough energy to set the Lady’s torch on fire. They have great stage chemistry together and seem to really enjoy their volleys of dialogue, served forcefully at each other.

Dolan Byrnes soulfully covered the scene change with a rendition of the Irish traditional folk song “No Irish Need Apply,” beautifully setting the context of bigotry and exclusion through the ages in Manhattan. We segued into the next movement, “No Irish Need Apply,” written by Monica Bauer and directed by Cheryl King. Joan Fitzgerald (Frances McGarry) is a shop owner looking to hire a new employee. Ahmed Famy (Ali Andre Ali), a Shi’ite Muslim, enters to apply for the position. He takes one look at the image of the “Bleeding” Christ on the wall and decides he would not be welcome.

What follows is a very clever job interview which exposes prejudices and cultural assumptions in a refreshing way. Ali is powerful as the defensive and stoic academic. He has a wonderful command and ease on stage, which makes him extremely watchable. McGarry was lovable and charming as the irreverent and open-minded Irish widow. It feels like this sort of situation is happening all over the city on a daily basis, but I am not sure that the outcomes are as congenial and generous as this pleasant oasis.

The final element of the theatrical Lady Liberty hat-trick was “Dirty Paki Lingerie,” brilliantly written and performed by Aizzah Fatima, with direction by Erica Gould. This was more of a standard one-woman show length, so it was deeply satisfying. The other performers had joyfully served up the appetizers and entrees so that we could sink our teeth into this delicious main course. Fatima and her transforming piece of green fabric weave a tale of various Pakistani women living in the U.S. who are torn between cultural expectation and their personal desires. She inhabits mothers, strong independent woman, children, teenagers, and traditional girls who show the diversity of experience of being a woman in their community and in the United States. The six Muslim-American women were drawn from real-life incidents and interviews, which lends a truthfulness to the production that is spellbinding.

Gould has ensured a piece that has flawless transitions between characters and situations, allowing Fatima to excel in birthing this wide range of distinctive female Pakistani dreamers. Fatima is an extraordinary performer with a vocal range that is impressive, and she is enormously funny. This piece will definitely have a long life ahead of it!

“The Lady Liberty Theater Festival” celebrates freedom of speech, the power of artists to defy oppression, and the ability to heal after traumatic life events. On the eve of the 15th Anniversary of 9/11, this festival is a perfect way to honor the past by submerging oneself in the shadow of Lady Liberty to remind ourselves of our glorious freedom.

Running Time: 90 minutes, with one 10-minute intermission.

Advisory: Adult language makes this production inappropriate for some audiences. Recommended for ages 16 and up.

“The Lady Liberty Theater Festival” plays through September 25, 2016 at Urban Stages in New York City. For more information on this festival, click here.

What is the value of performing arts in society?

  “It’s well and good that arts — and performing arts especially — are part of our society, but they’re not the vital part of our society.” ~Board President Daniel Gomes 
Do you think performing arts are vital to society?
This is an excerpt of On Assignment, education writer Theresa Harrington’s blog on Contra Costa County schools. Read more and post comments at IBABuzz.com/onassignment. Follow her at Twitter.com/tunedtotheresa or Facebook.com/TheresaHarringtonBANG.

Jan. 16:

Just a little over a week after newly-sworn in Contra Costa County Superintendent Karen Sakata proudly performed with a Taiko drum group at her inauguration ceremony, the president of the county board of education has questioned the value of performing arts in society.

Board President Daniel Gomes angered a crowd of arts advocates at a board meeting earlier this week by suggesting that pursuing the idea of a countywide performing arts charter school might be “wasting money and wasting time — and we might be wasting lives by supporting this.”

This prompted Rob Seitelman, a local teacher and professional actor, to yell back: “That’s how I want to waste my life — by supporting the arts!”

In a long and rambling monologue, Gomes said it would be better to pursue a countywide charter focused on robotics or environmental science than performing arts.

“These are programs that are vital to our survival as a society,” he said. “It’s well and good that arts — and performing arts especially — are part of our society, but they’re not the vital part of our society.”

When the crowd erupted with gasps of disbelief, Gomes said those who disagreed with him could vote against him in the next election.

“But until then,” he said, “you should listen to what I have to say because I listened to what you have to say.”

Many people left after the board unanimously denied the proposed Contra Costa School of Performing Arts, based on staff findings that the petition did not meet state requirements for approval.

But Gomes’ comments set off a larger debate, causing some people to question his characterization of the arts as less important than science. In education, arts have suffered severe cuts and have been considered “extras” by some, in part because of the No Child Left Behind emphasis on math and English language arts, coupled with years of budget cuts.

As the economy has recovered and studies have shown the value of the arts in education, there has been a renaissance of arts in many schools. Even the Contra Costa County Office of Education emphasizes the value of arts alongside Science, Technology, Engineering and Mathematics — known as STEM — by hosting a STEAM Colloquium that integrates the arts into STEM.

And earlier this year, representatives from the White House Initiative on Educational Excellence visited Meadow Homes Elementary in Concord to praise its integration of the arts into its curriculum. John Abodeely, deputy director of the President’s Committee on the Arts and Humanities, said the arts are a vital part of a well-rounded education and are especially powerful in efforts to engage underperforming students.

“The arts are not something you provide to students when you’ve fixed all the other problems,” he said. “Just like music is not something that’s been a part of humanities after we’ve figured out all of our other problems. It’s been a part of our soul and heart forever. So, the arts are a critical element in reform strategies.”

Outside the county board meeting, performing arts teacher Jason Miller said he disagreed with Gomes.

“Arts education is essential to our society,” he said. “The sentiment expressed tonight (by Gomes) was alarming — the idea that arts education isn’t valuable or that arts students are wasting their lives.”

After my story about the meeting was published, retired arts teacher Suzanne Cerny called to express her dismay about Gomes’ comments.

“How did this guy get to be president (of the board)?” she asked. “Studies show how arts are important. This reminds me of people in power who demean the people whom they are supposed to be helping.”

I also spoke to Richard Asadoorian, a former Contra Costa County trustee who lost his seat in the November election, who said he didn’t believe the arts should be considered as secondary behind other subjects.

“So often, the arts have been cut in schools,” he said. “They’re usually the first to go, along with librarians and counselors.”

Do you think performing arts are vital to society?

Today, Children, We’re Not Going To Do A Show

“This isn’t about a single group of kindergartners, but about our core values for all students – that the arts are not disposable, that they are not frivolous, and that they can in fact prepare students for life.” Howard Sherman, Arts Administrator and Producer
Elwood Letter
Of course, on the face of it, it’s simply the dumbest thing you’ve ever heard. In a letter to the parents of kindergarten students at Harley Avenue Primary School in Elwood, N.Y., the principal and kindergarten teachers wrote: “The reason for eliminating the Kindergarten show is simple. We are responsible for preparing children for college and career with valuable lifelong skills and know that we can best do that by having them become strong readers, writers, coworkers and problem solvers.” The Washington Post seemed to be first on the case, with a story titled, “Kindergarten show canceled so kids can keep studying to become ‘college and career ready.’ Really.” That pretty much set the tone and I jumped into the fray, sharing it online with introductory words including “dumb” and “shame.” I happened to be e-mailing with a producer at CBS News on a personal topic and passed the article along to her, and I tweeted it in the direction of a reporter at The New York Post, knowing how they like to take umbrage at things. I wanted people to see how ridiculous this was, and is. Read more…