All About Image/We Are The Elite

All About Image

Marcina Zaccaria’s All About Image/We Are The Elite

Directed by Tony Tambasco

 

A drama written in the present time, taking place in New York City and other parts of the U.S., All About Image/ We are the Elite is a journey of the people who make images. In the process of capturing and making these images, the characters explore their personal relationships while re-affirming their aesthetic principles.

What they see is under critique. What they present is a complete outpouring of their entire vision.

Part of the New York International Fringe Festival

Photos courtesy Steven Pisano

Kraine Theater

85 East 4th Street

New York, NY 10003

View Map

October 3 @ 7:00pm

October 4 @ 7:00pm

October 5 @ 5:15pm

October 6 @ 5:30pm    

Featuring:

David Arthur Bachrach *

J. Dolan Byrnes *

Frances McGarry *

Jeff Burchfield *

Don Carter *

Catherine Luciani

Milton Lyles II

Nana Ponceleon

Akin Salawu

Lourdes Severny

Kelsey Shapira Katy Wilson
* Appears courtesy of Actors’ Equity Association


Further details at Fringe BYOV.

Tickets available through Eventbrite

 

 

 

 

 

 

 

Baayork Lee: Bring It ON!

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Photo credit Kacey Anisa Stamats

Happy Chinese New Year! It’s the Year of the Dog and Baayork Lee blew us all away with her own fireworks at the League of Professional Theatre Women’s Oral History series Monday, February 12th at The Bruno Walter Auditorium at the New York Public Library for the Performing Arts at Lincoln Center.  Honoring an Asian woman for the first time not only made this an exceptional evening of distinction, but also showcased an actress who is one singular sensation!

Her vast career spans from being cast as a five-year-old in the original Broadway production of The King and I to creating the role of Connie Wong in A Chorus Line.

Baayork’s career arc was consistent and auspicious:  “You gotta know somebody to be somebody,” she quipped when asked about how fortuitous opportunities struck. None of this, of course, happened without the support of her mother, her friends, and her commitment to future generations of artists through her work with The National Asian Artists Project.  In 2017, she was recognized for her work in theatre education globally with the Isabelle Stevenson Tony Award.

Robert Viagas & Baayork Lee

Photo Credit Kacey Anisa Stamats

Deftly interviewed by Robert Viagas, a journalist and theatre author with more than thirty-five years’ experience on Broadway, Baayork shared her story with energy and enthusiasm, insight and inspiration. The conversation between these two friends who met over four decades ago and became collaborators and biographers on their book, “On the Line: the Creation of A Chorus Line” was funny, smart, and sassy with Baayork never resisting a beat to deliver comical asides to her adoring audience filled with fans and former cast members. But as the entertainer made way for the woman, it was her wisdom about her culture, her craft, and her stamina that was most telling.

She knew from the very moment when her mother brought her from Chinatown to audition for The King and I that “this is what I wanted to do.”  Atypical of “Tiger Moms” who have specific agendas for their children who have no say in their career paths, Baayork’s mom “listened to me at five.  And supported me.”  Encouraging Asian talent that “You don’t have to go to Harvard. You can go to Broadway” is among her mantras.

But in order to make it in this business she gave some practical advice:  “It’s about being ready to survive.  If you want to be in this business . . .  you have to be ready to survive because it is very, very hard to first of all live in New York, the competition is so much more than when I was growing up and you have to have the tools to survive first in the city, and then second of all you have to be ready with your talent which is singing, dancing, acting, taking your classes, and be ready when the door opens for you to walk in. “

I had the opportunity to chat with Baayork about the vital importance of the arts and how they change people’s lives; without any hesitation she emphatically pointed to herself:  “Sitting right here. Changing lives.”  And why she is so dedicated to the National Asian Artists Project, showcasing the work of Asian-American theatre artists through performance, outreach, and educational programming.  Her work as Master Class teacher, the children at P.S. 124 “even if I get ONE [child] in the theatre, then it’s all worth [her time and talent]. “ As the dedicated voice of an Asian role model Baayork has been representing her community for the last 50 years:  “I was one of the very lucky ones to do twelve original Broadway shows, to do television, to do films, to do all of those things.  I always felt that I was representing my community.”

She is best known as a choreographer and director, internationally, although none of her work has been performed in America, she persists. “I love being in the theatre. I keep that spirit, in me. Keep that child within me. [I don’t] get bitter. Don’t give up on your dream.” Her dream project is “to have her company go on to the next level [in order to] sustain itself” and to “open up the eyes of parents – there are choices.”

Proud to be an American, Baayork has no regrets: “I’m doing exactly what I’m supposed to be doing.” The League of Professional Theatre Women is indebted to her commitment, creativity, and passion for defying the obstacles so that ALL women can create their own fireworks!

The Oral History Project is an ongoing project made possible by generous grants from the Edith Meiser Foundation, the Robert and Betty Sheffer Foundation, and private sponsors. The Oral History Project is produced by Betty Corwin and LPTW Members Pat Addiss and Sophia Romma at the New York Public Library for the Performing Arts at Lincoln Center. Oral History chronicles and documents the contributions of significant theatre women in diverse fields. Interviews with such outstanding women are videotaped and housed in the Theatre on Film and Tape Archive at the New York Public Library for the Performing Arts at Lincoln Center. For further detailed information, kindly email Sophia Romma at sromma@theatrewomen.org or Pat Addiss at paddiss@gmail.com.

 

Testimonial #48: Bryan Austermann, NYC Actor

How has your life been indelibly touched by a teacher who utilized the arts for whatever reason and acknowledge how they were instrumental in breaking the mold to allow you to become who you are today?

Bryann Madison County

Let [him] sing for you monsieur. [He’s] been well taught.” Tonight I got to perform for my 5th Grade teacher who I haven’t seen in about ten years. I’ve kept in touch with her from time to time and it was such a thrill to have her, I kid you not, BEAMING in the front row. It’s because of her that I saw my first Broadway show and realized what I wanted to do with my life. And tonight is proof enough that being in this gorgeously beautiful play is who I am and who I want to be. And Mrs. Arduini, I will always think of you fondly.
Bryann and Teacher

National Arts in Education Week

Arts in Education Week

Passed by Congress in 2010, House Resolution 275 designates the week beginning with the second Sunday in September as National Arts in Education Week. During this week, the field of arts education joins together in communities across the country to tell the story of the impact of the transformative power of the arts in education. Watch the video and join us in the celebration!

  1. Celebrate. Host a celebration in your community, whether big or small, an existing event, or a new one. Download and use the shared logo and be sure to register your event on ArtsMeet, a national arts event calendar.
  2. Advocate. Work with your elected officials and decision-makers to share the value of the arts in education. Whether a mayor, principal, or U.S. Congressman, check out sample resolutions and videos, send an op-ed to your local newspaper, and use the Arts Education Navigator—an online tool with six action steps to crafting a personal advocacy plan. Be sure to sign the petition encouraging Secretary of Education Betsy DeVos to support the arts!
  3. Participate. Share your story in the social media campaign, #BecauseOfArtsEd, to bring national visibility to the issue of arts education. See below for more information and download the How To Guide. Also, be sure to attend and invite friends to the Facebook Event.

A Conversation with …Marcina Zaccaria, Playwright/Director VILLAGE, MY HOME

Being a playwright, a critic, and a theater director has given me the opportunity to work with such smart, creative people, who every day search for deeper meaning.  The world can be a challenging place, so I ask myself: What role does our belief structure play?  Is it our friends who lift us out of difficult times?  
Marcina Zaccaria is directing the debut of her new play VILLAGE, MY HOME at the DREAM UP FESTIVAL at Theater for the New City.  We had a chance to chat about her play and what it means to be playwright, director, and arts advocate.
MARCINA PICTURE
Share with us a little bit about the germ of the play.  How did it come about?  What was its evolution? 
I used to live in Greenwich Village, and my first husband was a filmmaker who later won an Emmy Award for his work as an Editor for television.  Greenwich Village is sort of Mecca for artists.  When I reflected on what is like to live in such a creative environment every day, I, of course, experienced a wide range of emotions.  
I was so impressed by how “interconnected” the world can be, particularly when you involve people in different stages of their lives.  Also, I thought a lot about the difference between theater and film.  Both are truthful, and shed light on the human condition.  With theater, you can hear the voice re-bounding in space, so it’s very differently “live” than film.  I kept interrogating these ideas about the difference between theater and film, and I tried to find a way for sight to be as important as sound.  Also, I love multi-media art.  So, what began as a concept for a multi-media play became a theater piece, with a Facebook component. 
We were thrilled when the show got accepted to the Dream Up Festival at Theater for the New City.  This would provide a possibility for a live audience in a physical theater space, while, at the same time, not completely abandoning the notion of “live” camera coverage, that would be in use on stage. 
What outcomes do you hope to have with the premier of VILLAGE, MY HOME? 
I hope people will find humor in the show.  Also, I hope that plenty of people will chat with their friends about Village, My Home, and talk about the images. 
The play struggles with the notion of enlightenment, and I hope that the audience can find some recognition in the every day dilemmas they see onstage.
How have The Arts personally impacted your life? 
The arts have had an enormous impact on my life. When I decided to go to Drama School at Tisch School of the Arts, I had no idea that I would wind up feeling so rewarded by the journey I have taken over the last 20+ years.  
Being a playwright, a critic, and a theater director has given me the opportunity to work with such smart, creative people, who every day search for deeper meaning.  The world can be a challenging place, so I ask myself: What role does our belief structure play?  Is it our friends who lift us out of difficult times?  
I do believe in the transformative nature of theater, and I was so glad that Village, My Home is going to be performed the East Village in NYC.  It’s just a very spiritually sound place.
Dream Festival

VILLAGE, MY HOME BY MARCINA ZACCARIA
An exploration of the Village’s many colorful characters

August 27 to September 3, 2017
Theater for the New City,
155 First Avenue

Community Space Theater

Sunday, August 27 at 5:00 PM 

Tuesday, August 29 at 9:00 PM,

Thursday, August 31 at 9:00 PM 

Friday, September 1 at 9:00 PM,

Saturday, September 2 at 2:00 PM 

Sunday, September 3 at 8:00 PM


Tickets $15. Box Office: (212) 254-1109, http://www.dreamupfestival.org
Running Time: 45 minutes. Critics are invited to all performances.
Buy Tickets

In preparation for the New Year, a Village housewife joins businesspeople, locals and tourists as they question what matters to them. As technology continues to fascinate, isolate and shape our lives, how do we encounter our New York City? Village, My Home,  written and directed by Marcina Zaccaria, embraces the very human experience of what it means to live and survive in the 21st century against the backdrop of cultural and political uncertainties.

With theatrical movement and state-of-the-art sound design, Village, My Home promises to warm the heart and calm the most unsettling times.

Village, My Home stars LPTW Member Frances McGarry; Marjorie Conn*; Michael C. O’Day*; Kelsey Shapira; Jeff Burchfield*; Madalyn McKay; Christina Ashby; Maile Souza Sean Evans; Maria Severny; Stephanie Roseman; Meaghan Adawe McLeod; Rebecca Genéve; and Catherine Luciani. Jak Prince is the lighting designer. Maria Ortiz Poveda is the costume designer. Dana Robbins is stage managing.
*Appears Courtesy of Actor’s Equity

The eighth annual Dream Up Festival is an ultimate new work festival, dedicated to the joy of discovering new authors and edgy, innovative performances. Audiences savor the excitement, awe, passion, challenge and intrigue of new plays from around the country and around the world.

The festival does not seek out traditional scripts that are presented in a traditional way. It selects works that push new ideas to the forefront, challenge audience expectations and make us question our understanding of how art illuminates the world around us.

A unique and varied selection of productions will again be offered that draw upon a variety of performance specialties including singing, clowning, poetry, street music, magic and movement. The Festival’s founders, Crystal Field and Michael Scott-Price, feel this is especially needed in our present time of declining donations to the arts, grants not being awarded due to market conditions, and arts funding cuts on almost every level across the country and abroad.