Pan Asian Repertory presents ACQUITTAL

Pan Asian Repertory Theatre expands new ground with ACQUITTAL, building on past explorations of untold stories from countries in conflict, with Shaheed Nadeem’s powerful, acclaimed play from Pakistan, which spurred the Women’s Rights Movement in the 80’s.  We see, daily, new examples of violations against women in all guises globally –large and small, blatant and subliminal, publicized and covert — and ACQUITTAL  affirms that collectively.  In resistance, we can make a difference, for social justice and change.  Pan Asian is proud to welcome this extraordinary work to the New York Stage.

We are all imprisoned in separate places,”  a line spoken from ACQUITTAL, by Shahid Nadeem, expresses the thematic thrust of the play:  tightly woven narratives about four women who lived in Pakistan in the early 1980’s during the aftermath of the military coup led by General Mohammad Zia-ul-Haq.

The tautly-talented ensemble of Aizzah Fatima, Shetal Shah, Gulshan Mia, and Salma Shaw, deftly directed by Noelle Ghoussaini exposes each character’s ethical core with authenticity lacking any didactic deference; instead, their camaraderie unfolds with a natural human curiosity to understand each other’s dilemmas thereby allowing the audience to empathize with them and raise their hopes for each of their acquittals.

I don’t want to give away any spoilers, other than to encourage everyone to see this play — not only for its candid treatment of the continuing challenge of garnering equal rights for ALL women, but also to “sensitize the masses”  — the notion that theatre brings people together in a dark room to witness the human condition.  And in today’s divisive political climate we can all benefit from stepping in the shoes of these women to consider what change we can bring to our culture.

Opening Night, Thursday, June 15, 2017 at 8 pm

Performances of ACQUITTAL:
The Studio Theatre on 4fl at Theatre Row (410 W. 42nd St.) in New York City June 10-25, 2017.
Tues through Sat at 7:30PM and matinees Sat & Sun at 2:30PM.
Tickets are $62.25 for Opening Night (June 15, 2017, includes post-show reception with cast) and $42.25 for all other performances and can be purchased by calling 212-239-6200 or online at http://www.telecharge.com. For instructions on how to receive discounts for students and IDNYC Members, please call 212-868-4030.

Click here for ACQUITTAL Tickets

 

 

 

 

 

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Leveraging Theatre for Social Good

Before it was fashionable to be an advocate or activist, my acquaintance Jessie Fahay invited me to join her very new theatre group. She had a vision to pair advocacy with theatrical productions, taking on socially relevant topics.

Jessica Jennings, Development Director of Ripple Effect Artists proudly talks about how they have stayed attuned to the most relevant issues pulling on the collective social conscience of all Americans:

That was in 2010. Seven years later, I could not be more proud of our endeavors and accomplishments at Ripple Effect Artists. Aside from the administrative feats, like becoming a 501(c)3 and earning grant funds, I mean that I am proud that we have stayed tuned to the most relevant issues pulling on the collective social conscience of all Americans. For example, we presented Tea & Sympathy, a play from the 50s about the bullying of homosexuals, and raised funds for the Trevor Project’s suicide prevention call center.

With each of our productions we both raise awareness with our audience, and make a financial donation toward an advocacy organization. We have worked with 11 different organizations on issues of heath care, suicide prevention, hospice, marriage equality, women’s rights, technology unemployment, sex trafficking, and now we will be looking at racism.

Our productions are paired with audience engagements such as talk-backs. While our dramas are wonderful for getting people curious about issues, real-world information and solutions from experts leave the audience empowered, informed, and pointed in a direction of taking action. Our audiences have reported taking these actions after our events: volunteering, signing petitions, conversing about these challenging issues in their own communities, and ending their participation in buying sex.

I am honored to have my work with Ripple Effect Artists as part of my artistic legacy. I like to say, in the spirit of Martha Graham, that there is no higher calling than to be fully used by our art.

Please get to know us better! We have a FREE event on May 11th, and a fundraiser on May 30th. Details and links are below.

Guarding the Bridge

May 11th @7pm

250 Park Ave., People’s United Bank.

FREE reading of Chuck Gorden’s GUARDING THE BRIDGE

Click here to RSVP

The Edge of Everyday

May 30th @ 8pm

Elektra Theatre, 300 W. 43rd St.

$45-$60 Tickets 

Rippleeffect.Jennings@gmail.com

 

Testimonial #26: Tanisha Christie, Owner/Producer/Director at Aya Arts and Media

How has your life been indelibly touched by a teacher who utilized the arts for whatever reason and acknowledge how they were instrumental in breaking the mold to allow you to become who you are today?

The arts saved my life. I was a latch-key kid, an only child growing up in the city. Participating in choirs and theater in after-school programs not only kept me busy, but also helped me excel in school. Knowing as a young student that my good grades, gave me access to special field trips with the choir was an added incentive.

In high school, my English teacher, Mrs. Loucks, was also the Speech/Debate and Theater teacher. It is through her guidance, that I learned the value of leadership ( I was President of both groups) and was able to hone my creative abilities. Without that experience, that teachers support, those high school programs that were supported by the Principal and the School Board – I WOULD NOT BE WHO AM I TODAY. Those creative experiences during the tumult of teenage maturation, ground me and gave me an outlet that is of value to this day.

How are the arts re-igniting your community and sparking innovation and creativity in your local schools?

In the community of Brooklyn artists are abundant; however, the role of arts within lower income public schools are quickly diminishing. Now that we’re fully ensconced in the digital age, we’ve allowed technology to replace the idea that culture access is a fundamental part of critical thinking and engaged learning. Occasionally, a group of artists will ignite a small program, like a pop-up exhibition of visual artists in the neighborhood, but these initiatives are becoming less and less. But when it does happen, you’ll see young and old, from all different backgrounds congregating and participating in whatever activities are offered. Rarely is any event meagerly attended.

Aya Arts and Media
Against the backdrop of historical moments of social change, Walk With Me follows three women who use theater to inspire, stir and animate our democracy. While at work in prisons, schools, and community centers, the film reveals that one person – one artist – can make a difference.