Joan Kane & Gary Morgenstein: Taking a Bite of a Sweet Divide

I believe we’re broken. Everybody is broken in some way. Everybody has a story to tell. There are cracks in us…Kintsugi is the Japanese art of repairing broken objects by highlighting their cracks with golden powder. . . the original object is even more beautiful than before it was broken…America is going to be even more beautiful; we’re looking at our brokenness. And I really believe with my heart and soul that we’re going to be even more beautiful after this. ~Joan Kane

GARY MORGENSTEIN’S
A BLACK AND WHITE COOKIE
 IS A NEW OFF-BROADWAY COMEDY/DRAMA
ABOUT AN AFRICAN AMERICAN NEWSTAND OWNER ENCOURAGED TO FIGHT HIS EXORBITANT RENT INCREASE BY AN ECCENTRIC JEWISH RADICAL  

DIRECTED BY JOAN KANE, THE PRODUCTION NOW PREMIERES
THURSDAY, JANUARY 21 AT 7:00PM/ET AS PART OF TFTNC’s ON THE AIR SERIES
&  SUNDAY, JANUARY 24 AT 3PM/ET ON THE EGO ACTUS WEBSITE

Incorporating the pandemic experiences of the past eight months into their production that Covid-19 brought to a halt in March, the award-winning Ego Actus Theatre Company will still present Gary Morgenstein’s new drama A Black and White Cookie, but in an updated version that is set against the backdrop of New York City reopening, post-pandemic. The play’s schedule has been updated. The premiere will air as part of Theater for the New City’s virtual On The Air series. It is now slated for Thursday, January 21 at 7:00PM/ET, with an additional performance on Sunday, January 24 at 3PM/ET.
 
Directed by Joan KaneA Black and White Cookie was originally scheduled to premiere at the Pulitzer Prize-winning Theater for the New City on March 26, 2020. There are plans to stage the show at TFTNC when in-person performances are again allowed in New York City. 

The cast features Morry Schorr (Modern Family/ABC-TV), Roslyn Seale (The Color Purple/National Tour), Julie T. Pham (The OA/Netflix), Chris Collins-Pisano (Forbidden Broadway: The Next Generation/Off Broadway) and Mansoor Najee-ullah (Mulebone, G.R. Point, The Mighty Gents/Broadway).

Harold Wilson, a gruff, conservative African American senior, has finally reopened his East Village newsstand following the coronavirus lockdown. Then an exorbitant rent increase forces him to close after 30 years and reluctantly retire to Florida with his niece. Enter Albie Sands, an eccentric 1960s Jewish radical, who persuades Harold to fight the landlord. Overcoming their many differences, Harold and Albie form a powerful and unlikely friendship to confront corporate greed – and prejudice. 

Said Gary Morgenstein: “For this new production, it was important to update A Black and White Cookie by layering in the terrifying burden of the pandemic to portray a city struggling to come into the light. While the play reflects hard truths about fear, disease and bigotry, it’s ultimately positive and uplifting. What the world needs now more than ever is love and understanding, and faith in ourselves, and each other. If these two stubborn old guys can come together, so can all of us. You just gotta believe.”

Gary Morgenstein’s (playwright) novels and plays have been featured in national media from the New York Times, Entertainment Weekly, Parade Magazine, the New York Post, Sports Illustrated to NPR. His sixth novel A Fastball for Freedom, the sequel to his critically-acclaimed dystopian baseball-science fiction A Mound Over Hell (“1984 Meets Shoeless Joe”), will be published by BHC Press on March 25, 2021. In addition to A Black and White Cookie, he is the author of the stage dramas Saving Stan and A Tomato Can’t Grow in the Bronx, and the off-Broadway sci-fi rock musical The Anthem.  Morgenstein is developing the scripted television series Joyland, set during the tumultuous 1960s, with veteran network executive Russell Friedman and the award-winning Broadway performer and director DeMone Seraphin, who will direct the pilot episode on Zoom in early 2021.
 
Joan Kane (director) is the founding Artistic Director of Ego Actus and directed I Know What Boys Want at Theatre Row, Six Characters in Search of an Author in Oslo, Norway and Kafka’s Belinda in Prague. She also directed both Safe and what do you mean at 59e59 Theaters and in the Edinburgh Festival Fringe, getting four star reviews for each. Kane was awarded Best Director in the 2016 United Solo Festival was named to the Indie Theatre Hall of Fame by nytheatre.com. She has also directed plays and readings for the Lark, Ensemble Studio Theatre, the NY Fringe Festival, Theater for the New City, Urban Stages, Workshop Theater, Nylon Fusion, Abingdon Theatre, Oberon Theatre, the Samuel French Short Play Festival, the Midtown International Festival and The Actors Studio. Joan has an MFA in Directing from The New School, an MS in Museum Education from Bank Street College. She is a member of The New York Madness Company, the Dramatists Guild and the Society of Stage Directors & Choreographers. Kane recently directed two plays during the Ego Actus Survival is Insufficient 10-play reading series.
 

KINTSUGI is the Japanese art of repairing broken objects by highlighting their cracks with golden powder.  Often undertaken as a form of art therapy to encourage resilience, the art of kintsugi follows a slow and painstaking process that requires patience and concentration. Day after day, week after week, step after step, the object is cleaned, gathered, cared for, mended and celebrated.  The object becomes even more beautiful then it was before it was broken. Its about accepting and celebrating our brokenness.

ABOUT EGO ACTUS
The award-winning international production company Ego Actus (Latin for “My Way”) was founded in 2009 by Joan Kane and Bruce A! Kraemer, who created an independent theatre company dedicated to creating art for art’s sake. Since then their shows, which have been presented in New York City and Europe, have been nominated for 61 awards, winning 21. Ego ActusOff-Broadway shows have included Play Nice! at 59e59 Theaters, I Know What Boys Want at Theatre Row and Sycorax, Cyber Queen of Qamara at HERE, with other critically acclaimed productions at Theater for a New City, Urban Stages, and the WorkShop Theater. The European productions included Safe and what do you mean at the Edinburgh Festival and the Edinburgh Festival Fringe, Kafka’s Belinda and The Telegram in the Prague Fringe festival, while The Metamorphosis was performed in Prague and Budapest. Their two reading series have included Off the Page, seven scripts read to live audiences at TornPage and Survival is Insufficient, 10 scripts seen on Zoom.

Iman Aoun: Breaking Down Walls &Cultivating Hope Through Theatre

For over thirty-five years, Iman Aoun, a theatre-maker from Palestine has dedicated herself to advancing her mission of “breaking down walls” that exist as both physical and psychological phenomena by “cultivating hope [and creating] beauty and change” through her art.  Refusing to compromise her commitment to stripping both visible and invisible walls, Iman’s work has become a source of healing not only for her Palestinian communities, but also global populations.

Iman 2020

Iman Aoun (Actress, Director, Producer) began her career in 1984 with the internationally renowned Palestinian Theatre Company El-Hakawati. In 1991 she co-founded ASHTAR Theatre and serves as Artistic Director . Aoun holds a Bachelor Degree in Social Studies and a Diploma in Psychodrama and has written and published many theatre studies; devised many plays; and directed nationally and internationally. She is a recognized international trainer of the Theatre of the Oppressed technique, an Award winning actress and director for the stage in more than 60 productions, and has appeared in national TV series and international movies. Aoun has received numerous commendations for her work from different countries, international organizations and festivals, and has served as a Panelist for various world congresses and international conferences.

Among her most notable global projects is The Gaza Monologues.

Please visit the link below to become a patron of ASHTAR Theatre:  contributions could be as little as 5$ a month. Your support grants our continuation https://www.patreon.com/ashtartheatre

Global Giving at https://www.globalgiving.org/projects/ashtar-online-performances/photos/?fbclid=IwAR0-ihQ-TXfHKZZPNd16vTocB-eyCve4lY97WdX1BfdMkwwC3o7Glynh_fw#menu

iman@ashtar-theatre.org

https://www.facebook.com/iman.aoun.18

March Hare Media + Wheatsheaf Studio Productions marchharemedia.com

“Keep The Light On For Me” vocals, music and lyrics by Yuri Turchyn yuriturchyn.com

Coping with Covid-19: Just Get Messy!

An interview with children’s author Rita Meade

The impact of reading out loud books to kids is transformative in so many different ways.  Children respond differently to the “messy message” and extrapolate solutions for Edward’s dilemma.

Covid-19 has changed our lives forever; in fact, it could be devastating. But Rita Meade’s prescient message in her 2016 award-winning book Edward Gets Messy offers a way for us to cope with the stress and confusion of social distancing by delving into our artistic souls to discover a stronger, self-confident version of our selves.

Without giving a spoiler alert, the story features Edward the pig who never EVER gets messy.  But what happens when a big tub of paint falls on Edward’s perfectly neat little head?  Getting messy has its upsides, too. Here’s how this metaphorical spin of spilled paint can offer us some perspective during this pandemic…

The Arts helps you do well academically Over the course of Rita’s educational K-12 journey, she participated in numerous art-related programs from elementary school enrichment activities to singing in the choir, learning to play musical instruments, to performing in high school children’s theatre productions.  All of this accumulated academic knowledge coalesced to help her to see the importance of children’s literature and how it could impact people’s lives. 

Despite her passion for pursuing acting as a career, she always loved telling stories. By “taking all the experiences from high school and beyond” she channeled her performance skills to be a children’s librarian and picture book author.  One of her favorite parts of being a children’s book author was visiting schools and interacting with children. The “impact of reading out loud books to kids is transformative in so many different ways.” 

Photo credit M. Bialaszewski

Children respond differently to the “messy message” and extrapolate solutions for Edward’s dilemma:  “Well, he can take a bath!” They insightfully perceive the situation as temporary and that this, too, will pass.  Ah, a lesson we can all embrace during this viral pandemic. Perhaps, we can all take stock of where we are academically in our lives and how we can use this time to reassess where our talents lie and weigh-in on where life will take us after the “paint has been spilled” ? Look to the future. You might just be surprised at the possibilities of seeking new career paths? New alternatives to adapting skill sets you might have otherwise shelved? After earning her Masters in teaching English Rita believed that this was the logical career path; to her dismay it was not.  And why . . .

The Arts strengthens problem solving and critical thinking skills.  For an A-Type personality demanding perfection, Rita, as you can imagine, was absolutely distraught. Resisting her mother’s earlier suggestion to become a public librarian Rita decided to give it a try.  She attended Queen’s College to earn a Master’s degree in Library Science.  “This is it!” eventually leading her to her current employment at Brooklyn Public Library. There were many “ups and downs,” along the way but Rita “learned a lot [through her failures and successes].”  Having to close the library due to the coronavirus was a paradox for her:  continue to comply with her conviction that libraries serve as centers of communities or close for the safety and well-being of its patrons?  Similarly, this juxtaposed Edward’s challenging crossroad to either wallow in the inevitable or rise to the occasion? When all programs had been cancelled, on the day before the library closed, Rita brought her guitar for children to strum, sing, and savor the joys of music.  During the session one little boy remarked how it was “the first time [he] ever played a guitar!”  By adjusting inevitable outcomes of separation from her prodigies, Rita realized how “the Arts change people’s brains in good way; it inspires hope, really. What else are we trying to do, you know?”  So, use this time of separation to shift gears:  think about taking out that guitar, the recorder you had in first grade, playing the piano.  Listen to your favorite tunes that got you to think about the world in a way that moved you to dance and celebrate life! Music will not only soothe your soul and ease your troubled thoughts, but also wipe away some of those cobwebs:  reading music, listening, BEING.   Memorize lines from a favorite poem. Read a play.  Sort through your bookshelf.  Re-read some of your favorite texts.  Remind yourself of what you once knew and valued.  Revisit that file of shelved things to do…

The Arts helps you to express your emotions.  Publishing a book is an arduous process. It requires trust, perseverance and humility.  Despite having a clear vision for the book, Rita learned to express her emotions through her art:   “It’s a lot of vulnerability . . . and you have to grow a thick skin.”  Besides trusting her editor with revisions, she had to learn to let go of some of her ideas.  For example, Rita had initially wanted the story to take place in a library, but after an exchange with the professionals, Rita decided to trust their judgement.   Kristin [her editor] gave her “a lot of great changes; a lot of great editing that [she] wouldn’t have thought of [herself]. Ultimately, it made the story better.”  Coping with criticism is another challenge. “People are going to read the book and will have opinions,” she said, “and you can’t control that.  Once the book goes out into the world it doesn’t belong to the writer; it belongs to the reader now.”   This was a challenge for Rita since she “sometimes just wants people to like [her].”  Trying to please others has always been part of her nature, but she knew it was something she needed to overcome.  And she did! “I can’t take it all personally . .  . [I’ll] just try to absorb all the good stuff and not the negative stuff.”  Good advice to heed during our solitary quarantine.  Sometimes, being alone allows us to be still, be patient, and listen.  Take a personal inventory of where you are at this stage of your life.  How much have you grown emotionally? What regrets can be amended? Introspection can offer time to examine our behaviors and what motivates us to be who we are. Make a list. What do you like about yourself? What do you need to change? What are some of your fears? Anxieties that keep you from taking a leap to a new job? Starting a new relationship?  Carpe Diem! Seize the day like Edward and Rita, to “[be] distraught and unsure of what to do…But Wait . . . “

The Arts gives you confidence.  Visiting schools has served to instill and inspire young audiences.  “If I can do it, “she says to her young charges, “you can do it. “ By being “live” Rita de-mystifies the persona of the author:  “Authors aren’t these mystical creatures; we’re people just like YOU!”  It is instilling this kind of confidence that made one child exclaim, “Now I want to write a book because I know that you did!”  To offer some sustainability once she has left the classroom, Rita provides her contact information to encourage her young prodigies to keep in touch.  For this teacher of Rita Meade, there is nothing more satisfying than to have a former student acknowledge how I might have played a part in the pursuit of her career. And why, during the corona virus we can look back on those teachers whose lessons have long ago shaped who we are and are grateful for their tutelage.  Write a note to that teacher.  Look them up on social media.  Thank them for their “art” of molding you into the human being you are today.  And why…

The Arts are an investmentNikki Haley former UN Ambassador recently shot off a tweet denouncing the emergency funding given to the National Endowment for the Arts, National Endowment for the Humanities, Corporation for Public Broadcasting, and the Kennedy Center as irresponsible and queried:  “How many more people could have been helped with this money?”  Rita would definitively tell her how “lucky she [Rita] is to see every day the difference that the arts make in children’s lives. . . if I’m doing story time or we’re doing an arts and crafts class you can see how it stimulates the children’s creativity and their thought processes and learning and just their emotional happiness.”  There is no doubt that the arts are fun for kids. Diving into those finger paints and making a beautiful picture to hang on the fridge is awesome. Acting in a play is exhilarating.  Ensure that they continue to shape and inspire our souls.  Use this time to donate to your favorite art institution, be it the playful Paperbag Players or Lincoln Center.  It’s what makes us humane. It is what will be our legacy.  We will survive this pandemic. With the Arts, anything is possible; because after all,   “Edward knows that it’s okay even for particular pigs to get messy. . . . “

Coda:  Frances McGarry, Ph.D. is a dedicated arts advocate committed to raising awareness of how The Arts Rejuvenate. The Arts Restore. The Arts are our Supernatural Gift.  It is the force that unites us as a single, breathing, living entity that connects every human being to be all that is good and pure.  She created a blog and podcast First Online With Fran to raise awareness of ordinary people doing extraordinary things in the Arts like Rita Meade and so many others. What will YOU do during this pandemic to make our world a richer, better place to be?

Rita Meade is a public librarian who lives and works in Brooklyn, New York. She has a background in youth services, has professionally reviewed children’s books for “School Library Journal,” and has written for literary sites including Book Riot and Reading Rainbow. Her debut picture book Edward Gets Messy was published in 2016 by Simon & Schuster Books for Young Readers and in 2017, it won the first ever Anna Dewdney Read-Together Award which recognizes a picture book that is “both a superb read aloud and also sparks compassion, empathy, and connection.”

Email: RitaMeadeAuthor@gmail.com

Twitter: @ScrewyDecimal

Instagram: @ScrewyDecimal

Edward Gets Messy

Winner of The Anna Dewdney Read Together Award

School Library Journal ‘Popular Pick’ 

Atlanta Parent ‘Best Book’

References & Resources…

10 Reasons Why Arts in Education Is so Important for Kids

Is your student looking to become more involved in the arts? Not only do K12 online public schools offer their students art and music courses, K12 has individual art classes for purchase. For more information on K12  and our programs that encourage student involvement in the arts, you can contact our enrollment team at 877.895.1754 or request to receive more information online.

Americans For The Arts

Raising awareness of our civic responsibility: KILL SWITCH

Raising awareness of our civic responsibility is a mission of The Arts.

Jaclyn S. Powell’s prescient screenplay KILL SWITCH is a story about a well-liked, but self-absorbed and politically ambivalent Manhattan doctor who becomes sucked into the politics of money when he discovers he’s unwittingly the heart of a government conspiracy to control health care costs – and they’re playing for keeps. It’s a cautionary tale of what happens when we abdicate our civic duty to participate in the political process. Please attend a staged reading Wednesday. October 30th 6 pm at The Poets House. RSVP www.francesmcgarry.com
#killswitchthemovie

The lead roles will be played by Joe Feldman-Barros, Dominique Nieves, Frances McGarry, Richard Jordan, Jillie Simon, Richard L. Smith and Susan Lynskey. Directed by Carol Dorn

The New York Women in Film & Television (NYWIFT) New Works Lab was formed to give writers helpful critiques for their full length screenplays, plays, shorts and web series. The 4th Annual New Works Lab Showcase will feature scenes from Chasing the Dream by Corrine Frances-Pijuan, Kill Switch by Jaclyn S. Powell and Koko and Friends: Born to Play- Destined to Win! by Denise West.

All About Image/We Are The Elite

All About Image

Marcina Zaccaria’s All About Image/We Are The Elite

Directed by Tony Tambasco

 

A drama written in the present time, taking place in New York City and other parts of the U.S., All About Image/ We are the Elite is a journey of the people who make images. In the process of capturing and making these images, the characters explore their personal relationships while re-affirming their aesthetic principles.

What they see is under critique. What they present is a complete outpouring of their entire vision.

Part of the New York International Fringe Festival

Photos courtesy Steven Pisano

Kraine Theater

85 East 4th Street

New York, NY 10003

View Map

October 3 @ 7:00pm

October 4 @ 7:00pm

October 5 @ 5:15pm

October 6 @ 5:30pm    

Featuring:

David Arthur Bachrach *

J. Dolan Byrnes *

Frances McGarry *

Jeff Burchfield *

Don Carter *

Catherine Luciani

Milton Lyles II

Nana Ponceleon

Akin Salawu

Lourdes Severny

Kelsey Shapira Katy Wilson
* Appears courtesy of Actors’ Equity Association


Further details at Fringe BYOV.

Tickets available through Eventbrite