There’s No Place Like Art!

First Online With Fran’s First Podcast

There’s No Place Like Art…

FOLWF Podcast Art

The Arts are imperative — a life journey, a life experience that is like no other.  The Arts brings people together all in one space.  The plays I’ve written have touched lives — they’ve changed lives and that’s what Art does. ~Dan McCormick, Playwright

The arts are an essential part of a complete education, no matter if it happens in the home, school, or community. Students of all ages—from kindergarten to college to creative aging programs—benefit from artistic learning, innovative thinking, and creativity. Celebrating National Arts in Education Week is a way to recognize this impact and share the message with friends, family, and communities.

Towards that end First Online With Fran celebrates National Arts in Education Week by launching her first podcast featuring guest Dan McCormick, playwright of The Violin  at 59E59 Theater.

The podcast offers opportunities for you to join her in discussions on how ordinary people are doing extraordinary things in The Arts to make our world a richer, deeper, better place to live. In these divisive times, tune in and listen to how The Arts transforms people’s lives and remind us how vitally important a role The Arts play in tapping into our humanity.

Testimonial #41: Joseph Crawford, Creative Producer/Artist

“The reality of the Arts as an industry is that you will be made to work hard, adapt to foreign situations, work for free (for a bit), and take your fair share of rejections… but it’s worth every minute when you see YOUR idea turn into a reality. “

How has your life been indelibly touched by a teacher who utilized the arts for whatever reason and acknowledge how they were instrumental in breaking the mold to allow you to become who you are today?

Mark, my English Literature teacher at Birkenhead Sixth Form College, taught me more than just an appreciation of history’s greatest written works – he also taught me that creativity is a choice, and it needs tending to if it is to blossom. Mark was a spell-binding individual; pony-tailed, long-bearded, and walked with the aid of his tree-branch staff (taken from the tree Wordsworth liked to sit under) – the definition of a romanticist. He would finish lessons 30 minutes before their time, and invite us to spend the rest of the time writing poetry. It was my own choice, and pleasure, to stay behind constructing sonnets while most of the classroom left. Through Mark’s lessons, I realized that I was not going to follow the same path as the majority. Nowadays I am surrounded by inspirational figures; Charlotte Corrie/Christina Grogan – Open Culture, Chris/Kaya Carney – Threshold, Alex McCorkindale, Director of Flux Liverpool (to name just a few) – Liverpool’s cultural icons who invest their time and energy into making the Arts a sustainable industry, and to inspire the next generation of Creatives. If I have a creative idea, I know where to begin in order to set the wheels in motion – never forgetting the realities, the costs, and the rewards of this harmonious community. Without mentors, young people in the arts will simply make the same mistakes as their predecessors, and in an increasingly difficult economic environment, we need all the help we can get. Cultural education starts in the Arts, and leads to bigger things than you can imagine.

How are the arts re-igniting your community and sparking innovation and creativity in your local schools?

 Since recognizing that the Arts is a nurturing community, I have encountered a body of wonderful people, discovered mind-blowing talent, and found true purpose. At the start of my third year of university after wading miserably through another “student-night” in a cesspool of night-clubs, I cried out ‘There has to be more than this!’ Two terms later I dusted off my guitar and began practicing again, eventually performing in the SU bar. By the end the following year, Lancaster had shown me a whole family of musicians, artists, actors, (and bar-staff) who genuinely cared about each other, and who helped me forge the tools for a career in the arts. Thanks to their tuition and support, I now perform across Merseyside – expressing my irrepressible creativity, and even getting paid for it. Now in Liverpool, I’ve found the same formula applies – a new family of supportive people who simply love to create. And it’s nowhere near as breezy, pie-in-the-sky as some people told me – it’s a commercially viable industry: the difference is that you are never left to fend for yourself! I have since learned the value of communications, marketing & PR, recognizing what a real team looks like, relationship-building, and so many more transferable skills! Like any industry though, there still exist odd barriers. Young people in the arts tend to be viewed as expendable commodities – an ornament used only for image, and rubber stamping ‘young’ ideas. Again, it all depends on who you’re working with; but the reality of the Arts as an industry is that you will be made to work hard, adapt to foreign situations, work for free (for a bit), and take your fair share of rejections… but it’s worth every minute when you see YOUR idea turn into a reality. Keep the Arts in schools – the future of the next generation of Creatives depends on it!

Celebrate National Arts and Humanities Month!

President Barack Obama declared October 2014 as National Arts and Humanities Month!

“Cultivating the talents of our young people and ensuring they have access to the arts are critical to our Nation’s growth and prosperity. To meet the challenges ahead, we must harness the skills and ingenuity of our children and grandchildren and instill in them the same passion and persistence that has driven centuries of progress and innovation.” – President Barack Obama

The arts and humanities shape our nation, and give meaning and voice to our ideas and culture while sparking societal reflections on issues big and small. For these reasons and more, President Barack Obama declared October 2014 as National Arts and Humanities Month! Read the White House proclamation here and discover how America honors the spirit of this celebration at the President’s Committee on the Arts and the Humanities site.

Testimonial #40: Jennifer Lavern, CEO of AURAA UNLIMITED

“These women, I give voice to, because their voice is my voice.  Their voice is our voice. They have broken traditions, fought to express themselves and because they’re fierce like that, they “don’t look like what they’ve been through.”

 How has your life been indelibly touched by a teacher who utilized the arts for whatever reason and acknowledge how they were instrumental in breaking the mold to allow you to become who you are today?

As a little girl growing up on a small island in the Caribbean, I, at once, hewed to and despised some of the more stringent traditions. At the time, the word sexist was not in vogue but somewhere deep within me I knew that my soul was being robbed of its fullest expression.

Being the eldest sibling my role as a leader was secure but the inner me rebelled at the very thought of gender submission.  It is not that I was personally subjugated. I attended an all-girl high school which was presided over by a formidable head mistress. Many of my teachers were women and the few people that I elevated to role model status were female.  Yet, there was a restlessness within, an unspoken but unrelenting whisper which kept beckoning me to seek grander pursuits.

Limited by geography as well as opportunity, I chose to explore a world unknown through reading. I read whatever I could get my hands on. Through the pages of the mystery books, sans illustrations, I could be whoever I chose to be. I could travel to any continent in the world and I could control my destiny just as the authors of my favorite tomes did.  As I got older and became familiar with different genres, I would engage the author in a battle of wits, racing ahead with a self-styled version of the conclusion, one that I conjured to suit my fancy. Often, we would wind up on the same page, author, protagonist and audience; audience of one.

The more I read, the more I came to understand the power of the pen. The power of the pen soon gave way to the power of the written word. The written word became my escape from the confines of the edited spoken word.

My mind could freely wander away from the dictates of the patriarchal systems of education, religion and culture. I could easily segue from adventurer to jet setter, from hall monitor to strip teaser all the while maintaining the demeanor that won me an award for comportment. I could create roles for myself that would shock the establishment but would fill my fanciful world with excitement. Through my early writings my teachers came to know the person behind the pressed school uniform, the passion beneath the pirate hat, but only as much as I allowed. Hints of my quiet rebellion would emerge but could be discerned by only the most careful observer.

Years later, a college professor, Dr. Shine, broke the code as she discovered that my opinion pieces were particularly pithy, betraying a more than casual observer. She encouraged me to enroll in an advanced English class which tackled themes that questioned the very core of my belief systems. There I learned to wrestle with the status quo. It was in that class that I came to appreciate the plight of “Everyman,” the constant struggle of our higher consciousness to subdue our lower nature. It was the thinking developed in that setting which taught me that the gender war is timeless, universal and that without great sacrifice there could never be great victory.  It was there I discovered that the most brilliant diamond needs undergo tremendous pressure to release its shine.  Then, it was all theory. Now, it is a living truth.

I have watched individuals face insurmountable odds and eventually triumph at the very brink of defeat. I have seen women fearlessly brave crushing challenges and cave at the onset of moderate pressure only to rise again at the edge of their mortal strength.  These women, have become for me, icons of virtue by virtue of their resilience. These women, have become the women I admire and whose cause I am honored to champion. These are the women who inspire me and whose stories I am now chronicling in my upcoming book titled, “A Quote She Wrote.”

These women, I give voice to, because their voice is my voice.  Their voice is our voice. They have broken traditions, fought to express themselves and because they’re fierce like that, they “don’t look like what they’ve been through.”

For consideration to contribute to the book, “A Quote She Wrote,” please visit www.AQuoteSheWrote.com

 

Testimonial #39: David McGinnis, Theatre Professor

I would never have finished high school without it. Period. I have no idea what I would be doing without theatre.”

How has your life been indelibly touched by a teacher who utilized the arts for whatever reason and acknowledge how they were instrumental in breaking the mold to allow you to become who you are today?

To be blunt, I only finished high school because of arts, and I definitely only pursued postsecondary and further education because arts were an option. Focusing on high school, though, I was not what you might call the “well-behaved” student…or even the usually present one. I attended when I felt like it and did what work I felt like until I discovered the interconnectedness of the arts with other disciplines. I then studied physics in high school because I wanted to learn how to build better set pieces and operate/repair lighting equipment. I buckled down and focused on my writing and literary studies because I kept stumbling upon references in the theatre and I wanted to understand them more fully. I worked harder on math because of its usefulness in the shop. I even began to care more about PE because I needed to stay fit in order to keep performing some of the work that the theatre required. I found myself more interested in my economics and civics studies because of the prevalence of such thought in theatrical literature, and beginning my 11th grade year, I even began to opt into courses like psychology for no more reason than the curiosity that I developed because of arts, theatre in particular. I would never have finished high school without it. Period. I have no idea what I would be doing without theatre, but because of what I gained from it, I am now a theatre professor, and I find that what I received is not at all an uncommon gift. Education without arts quite literally is education without passion, and education without passion prepares the learned arm for bondage.