Theresa Chaze: Feisty Filmmaker

The [marginalized] community doesn’t want special treatment. They just want equality — to be who they are, to be respected for who they are. ~Theresa Chaze

Telling stories that activate emotions helps audiences be open to new ideas.  People can only change themselves. But until they experience the new they will remain stuck in the old–in other words, we are growing and changing or stagnating and dying.  My work helps people find the best of themselves.

Theresa Chaze began her career in the mid-1980s at a small independent TV station in Grand Rapids, Michigan. Moving to Traverse City, she worked at the local ABC affiliate as a producer, writer, editor, and director. In the mid-1990s, she ghostwrote two features and two shorts. However, after working as a producer on two independent films, she walked away from the industry. In 2009, she started her journey back began through a series of coincidences. Her time away from film and television gave her the strength and courage to turn “impossible” into “I’m possible”.

Kaleidoscope Film and Television is a new production studio that will produce projects based on age, gender, and ethnic diversity.  We will break stereotypes in front of and behind the cameras, especially for women, Native Americans, and veterans.  More of a cooperative than a traditional studio, we are looking for individual and production companies to join our team,  We will create quality entertainment while changing the world.

Kaleidoscope Film and Television combines the best of the old-school storytelling and innovative production techniques with modern technologies to create a financially stable business model for film and television projects. Based on the concept originally created by D. W. Griffith, Charlie Chaplin, Mary Pickford, and Douglas Fairbanks with the creation of United Artists, Kaleidoscope Film and Television intents to once again pull together the talents of producers, directors, actors, and crew, who want to take back their independence by having more financial and creative control of their careers. By working together and combining their skills, the KFAT team creates a cooperative that will produce and distribute projects that are based on a diversity of gender, age, and ethnic backgrounds. KFAT will give voice to the people and messages that have been overlooked and thus attract the audiences, who have been ignored. This inclusive and innovative business model that will attract the creatives with good business sense, which in turn will diversify, and expand the audience based on all the projects. It will oversee pre-production, production, post-production, distribution, and the licensing and sales of all inherent rights in both domestic and international marketplaces as well as in all current and future distribution platforms.

Horses and Heroes will focus on the human aspect by telling personal stories of courage of how veterans have chosen to heal by facing the fear, pain, and guilt of the past. This message is also valuable to civilians, who have encountered traumatic physical and emotional events. It has the right message at the right time to create a bridge of understanding between those who have served and civilians while helping them all find a way to heal from the inside out. Veterans will also be hired for jobs both in front of and behind the cameras.

Kaleidoscope Film and Television

Cosmos Productions LLC
Traverse City MI 
Eastern Time Zone
231-943-3298

231-313-8327
Monday-Friday 11 am to 7 pm

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Young Women in the Theatre and Media

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In our continuing effort to develop and promote women in the professional theatre The League of Professional Theatre Women invite you to another…

NETWORKING EVENT
Connect, Collaborate, and Consolidate
Join your colleagues, expand your networks, bring a potential new member!

Tuesday, October 25, 2016, 6:00 p.m. – 8:00 p.m.
Castillo Theatre 543 West 42nd Street

RSVP: Networking@TheatreWomen.Org

Young Women in the Theatre and Media
Learn from the young professional dynamos who make it happen.
Projects and strategies to create work for, by, and about women of all ages.

Panelists include:
LAURA ARCHER (Executive Director, March Forth Productions),
VALERIE BROOKS (Filmmaker/Director/DP),
CHRISTINE DIXON (Director/Producer/Actress/Singer, Harriet Tubman Herself),
RACHEL GRIFFIN (Composer/Lyricist, We Have Apples),
MITRA JOUHARI (Writer/Comedian, Full Frontal With Samantha Bee),
MEGAN MINUTILLO (Director/Producer/Writer/Arts Educator, Founder, TheWriteTeachers.com),
ELISABETH NESS (Producer/Actor/Creator, Redheads Anonymous),
DANA VERDE (Filmmaker/Producer, The Perfect Match)

Moderators:
KIMBERLY EATON, Broadway Producer/Director, Theatrum Mundi Productions
KATIE ROSIN, Publicist/Marketer, President Kampfire PR

LPTW Members: FREE Non-Members $15
Non-Members with Theatrical Union Affiliation $10

Brought to you by your LPTW Networking Committee:
Frances McGarry, Chair; Katherine Elliot, Salon Series Chair;
Ivy Austin, Mary Candler, Lorna Lable, Romy Nordlinger, June Rachelson-Ospa,
Amie Sponza, Amy Stoller, Elizabeth Strauss; Amanda Cardwell Aiken, Apprentice, Amanda Salazar, Apprentice

 

On the Red Carpet at SOHO International Film Festival

First Online With Fran got to ask the official participants and attendees of the 2015 SOHO International Film Festival how the arts play a vital role in our society. Listen to what they had to say…

Continuing the Conversation with. . . Marisa Vitali, actor/screenwriter/producer

SOHO INTERNATIONAL FILM FESTIVAL WINNER
SOHO INTERNATIONAL FILM FESTIVAL WINNER

In 2013, Marisa Vitali, Alysia Reiner and I sat down to talk about GRACE, the movie:  its message, its momentum and its moving evolutionary progress.  To bring you all up to date on GRACE, the movie, now with a SOHO International Film Festival premiere, Marisa and I talked about the inspirational arc of this project.

Here are some clips from our conversation:

Fran:  Oh my goodness.  It’s been quite a while since our last interview.  And it looks like you’re on fast forward here and I’m so excited about GRACE being at the Soho International Film Festival. So, how did it get there? What happened?

Marisa:  I’m really excited, too; actually, it’s like a week away, at this point. Just through the festival submission process.  Soho was on my list of festivals that I wanted to submit to right here in NYC and just patiently waited to hear back.

Fran:  When did you hear?

 M:  I think it was probably about the second week in March which is awesome because most festivals you hear back from like 3 weeks before the festival.  So, I feel that I’ve had enough time to prepare for the festival and the festival run.  So I’m really excited about that.

F:  And this is the first time you’re doing

 M:  Yes, this is the first time GRACE is coming out into the world.  Yes. It’s her premier; we’ll be screening here in New York and really I’m just kind of over the moon about it.  I can’t believe it’s happening.  It’s surreal.

F:  And it is happening!  And now that it’s happening, how about some updates? How has this process given you clarity in terms of your objective?

 M:  I realize more and more that this film is not my film in the fact that I realize it’s so much bigger than me.  And, yes, I’ve taken all the actions I could possibly take in having her come out into the world, to tell this story, and show up for her.  But at the end of the day, it’s totally in God’s hands, you know, and I really, really truly believe that.  And I feel that as I’ve gone on this journey since we last spoke I see that and believe that, and have trust in that more and more.

F:  And in terms of your original intent of this movie, about this movie being about a movie about hope and about celebration.  Could you talk a little bit about that?

 M:  I really feel that there is a billion dollar industry built around the problem of addiction and I really want to be part of the solution.  And in talking with a lot of people it’s always kind of brought up about addiction and the problem and I really want to change that and talk about the solution.  I feel that in being in the hope and being GRACE, a story of recovery, it kind of allows us to settle into that conversation.

F:  What is it about film, as a genre, that can affect change and achieve that objective?

 M:  I think there is something to be said about sitting in a dark room filled with people you know and people you don’t know, and it being comforting in a way.  But, at the same time having your own experience watching a story unfold and that it’s safe to be able to kind of go on this journey and to find identification with these characters and kind of see how you really feel about addiction, and recovery, and like what you question, and what you think about it. And the fact that you are in this dark room with all of these people, it’s safe to explore your own feelings about that.

F:  How is GRACE  your way to measure success by taking positive action?

 M:  It’s so interesting that you say that because going into the last week before the festival is really what I’ve been sitting with is this idea of celebration.  I have really truly come to understand that every tear, every joy, every defeat, every victory in my life has been leading me to this one point.  Of GRACE.  And so, with that thought that I’ve been sitting with is just kind of being open to that kind of experience.  And really celebrating that life which has led me to this point.

F:  People have watched your film.  How do you know GRACE has already been a success by taking positive action?

M:  Well, I can share one story in the fact that there was a young man that had seen the film and it was in a business situation so he had seen the film and I was speaking with someone else, and there was no comment, no feedback given about the film and then when the other person was no longer present this person began to share with me his own journey of sobriety and how only his family knows about it and how professionally he hasn’t come out and shared it with anyone.  I just thought that was so beautiful that here is this stranger that I’m somewhat working with who felt comfortable enough to share his own experience and his own journey and how he was moved by GRACE and that in itself touched me so much.  I felt that by sharing GRACE with him that he had an opportunity to kind of come out and share his experience.  Intellectually, you know that will happen that’s what you desire to happen when you’re creating something, but not until you’re actually in that moment with that person and just sharing that unspoken bond does it really have a whole effect kind of thing.  And it was just so beautiful.  We kind of just stood in silence and we both shared a tear and a hug and it was like I didn’t even need to know all the details of his story.  We just both knew.  I think that is the beauty of recovery and being on the other side of all of this and what I shared with this young man is that bringing compassion to this disease and allowing ourselves to feel that much more comfortable talking about it, expressing our feelings about it.  I think that’s really beautiful.

F:  And you’re really beautiful.  See you on the red carpet!

http://www.grace-the-movie.com/

http://www.grace-the-movie.com/trailer

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chandra Thomas: Complete Sentences

First Online With Fran is committed to featuring those ordinary people doing extraordinary things in The Arts.  It never ceases to amaze me how the passion for our work continues to impact our world in so many positive and transformative ways.  The interview with Chandra Thomas in 2012 only proves to illustrate her tenacious dedication to her art (and a pretty talented one, at that!).  We had a chance to chat about her latest project. . .

I can’t believe that it’s already been two years since our last First Online with Fran conversation! What an incredible space to talk about my passion for ““unique, stories that aren’t just recycling of stories we have already heard” and my mission “to promote points of view that might not have otherwise been heard”.  And while so many things have changed since our last chat, that passion and that mission are only stronger.

This is even true of my current project, the original comedy short Complete Sentences?.

 

Complete Sentences?

Complete Sentences?

Eddie (played by Pun Bandhu)  is a chef who pops “the question” to his longtime girlfriend Kara (played by myself). He made the romantic brunch. He got the ring. He’s down on one knee—but will she say YES? We tell this story with an extraordinarily talented and diverse team both behind and in front of the camera. There’s comedy, relationships, fine food and baseball—an engaging combination in a fresh voice.

 

 

web: www.chandrathomas.com | twitter: @truechandra | imdb: www.imdb.me/chandra | facebook: www.facebook.com/chandrathomasfanpage