Jennifer Katona, Ph.D. Open a New Window Weaving Arts Education in Today’s Classrooms

How do I make sure every kid gets that kind of emotional connection to their education? The Arts are how you do that. I am passionate about working with schools and spreading the word on how powerful and impactful learning through the arts can be. I have seen schools transform time and time again, and I want to help all schools find this success.

QUESTION: Comment on how an arts-inclusive education impacted your life?

Dr. Jennifer Katona, President and Founder 3 Looms Creative Education Consulting is currently the Visual and Performing Arts Sr. Manager for the Norwalk Public Schools is the former Director and Founder of the Graduate Program in Educational Theatre at the City College of New York (CCNY), where she oversaw the certification of pre and in-service Theatre teachers and training of non-certified theatre educators.

Through her work at CCNY Jennifer created and oversaw the middle school afterschool drama program at PS 161 the neighboring K-8 school in Harlem. Another hallmark of the CCNY Educational Theatre program was the partnership with Roundabout Theatre Company and Teaching Technical Theatre course which was taught in the off-Broadway studios of Roundabout Theatre Education. Additionally, under her leadership CCNY Educational Theatre Program partnered with the Arthur Miller Foundation to create the scholar’s program to help support the preparation of more arts teachers for the New York City public school system. Jennifer has served as mentors for Fulbright scholars through her work at CCNY.

The name 3 Looms is homage to the influential work that started my journey into education over twenty years ago.

My first taste of how to liberate a classroom came from watching Dorothy Heathcote’s documentary, 3 Looms in Waiting. Dorothy famously would walk into a classroom and ask students, “What shall we do a play about today?”

Now while I recognize we cannot walk into a class and ask students what they want to learn, I strive to create environments that take us as close to learner-centered as possible. As close to allowing students to say, “This is what I would like to learn about today…”

Jennifer served as the Arts Education consultant for Westport Country Playhouse in Connecticut and has served as a curriculum consultant for Disney Theatrical Education, Broadway’s Come From Away,  created study guides for Broadway’s Once on this Island Revival, and facilitated workshops on curriculum mapping for the Arthur Miller Foundation Fellows,  New York City Department of Education Office of Arts and Special Projects as well as facilitated webinars on the same topics for teachers nationwide through AATE where she currently serves as Chair of the Board of Directors and has previously served as Director of Regional Programming –overseeing Theatre In Our Schools initiatives.  As Board Chair Jennifer serves as representative to National Coalition for Core Arts Standards (NCCAS) which is a partnership of organizations and states leading the development of new core arts standards for the United States.

Prior to coming to CCNY Jennifer taught middle school theatre in Brooklyn and worked as Teaching Artist for numerous cultural organizations throughout the Tri-State area most notably New Victory Theatre, Arts Connection, NorthShore Music Theatre and Starlight Youth Productions.  She has an extensive performance, directing, choreography resume and extensive experience in technical theatre and stage management.

Jennifer holds a Ph.D. in Urban Education: Arts Policy and her current research explores Factors Which Influence the Decision of a School Leader to Maintain or Eliminate Arts Programming in their School and building sustainable arts programming in urban schools.Jennifer has spoken and presented on this topic at many conferences across the country. As well as worked closely with Americans for the Arts on arts advocacy related matters.

Twitter @profkatona

Presidential Proclamation — National Arts and Humanities Month, 2016

This month, we acknowledge all those who have proudly and passionately dedicated their lives to these diverse, beautiful, and often challenging forms of expression. In our increasingly global economy, we recognize the power of the arts and humanities to connect people around the world. Be it through the pen of a poet, the voice of a singer, or the canvas of a painter, let us continue to harness the unparalleled ways the arts and humanities bring people together.

obama-arts

NATIONAL ARTS AND HUMANITIES MONTH, 2016

BY THE PRESIDENT OF THE UNITED STATES OF AMERICA

A PROCLAMATION

 

 

Throughout history, the arts and humanities have been at the forefront of progress. In diverse mediums and methods — whether through the themes of a novel, the movement of a dancer, or a monologue on a stage — the arts enrich our souls, inspire us to chase our dreams, and challenge us to see things through a different lens. During National Arts and Humanities Month, we celebrate the important role the arts and humanities have played in shaping the American narrative.

Our achievements as a society and a culture go hand-in-hand. The arts embody who we are as a people and have long helped drive the success of our country. They provoke thought and encourage our citizenry to reach new heights in creativity and innovation; they lift up our identities, connecting what is most profound within us to our collective human experiences.

In seeking to break down barriers and challenge our assumptions, we must continue promoting and prioritizing the arts and humanities, especially for our young people. In many ways, the arts and humanities reflect our national soul. They are central to who we are as Americans — as dreamers and storytellers, creators and visionaries. By investing in the arts, we can chart a course for the future in which the threads of our common humanity are bound together with creative empathy and openness. When we engage with the arts, we instill principles that, at their core, make us truer to ourselves.

This month, we acknowledge all those who have proudly and passionately dedicated their lives to these diverse, beautiful, and often challenging forms of expression. In our increasingly global economy, we recognize the power of the arts and humanities to connect people around the world. Be it through the pen of a poet, the voice of a singer, or the canvas of a painter, let us continue to harness the unparalleled ways the arts and humanities bring people together.

NOW, THEREFORE, I, BARACK OBAMA, President of the United States of America, by virtue of the authority vested in me by the Constitution and the laws of the United States, do hereby proclaim October 2016 as National Arts and Humanities Month. I call upon the people of the United States to observe this month with appropriate ceremonies, activities, and programs to celebrate the arts and the humanities in America.

IN WITNESS WHEREOF, I have hereunto set my hand this twenty-eighth day of September, in the year of our Lord two thousand sixteen, and of the Independence of the United States of America the two hundred and forty-first.

BARACK OBAMA

Memorial Day 2016

 

Lin Manuel Art Advocacy

As we celebrate our bravest of soldiers who gave their ultimate sacrifice to protect our  freedom, I would like you to take some time to reflect on what it means to be An American.  Amid the bitterness and rancor of the 2016 Elections. . .

How haveThe Arts ( Dance, Theatre, Music, Photography, Graphic Arts) prompt a change in your life?

How did it change and/or alter your perspective about a viewpoint?

Share you story with First Online With Fran HERE

League of Professional Theatre’s NETWORKING MONDAYS; Meet the Music Makers!

In our continuing effort to develop and promote women in the professional theatre  we invite you to . . .

Networking Logo

NETWORKING MONDAYS

 Insights, Information, and Inspiration

Join your colleagues, expand your networks, bring a potential new member!

Monday, October 5, 2015, 6pm-8pm

Meet the Music Makers: Composers & Lyricists and

Special Guests discussing the Creative, Legal, and Financial Aspects of Songwriting


 Ripley Grier Studios 520 8th Avenue, Studio 16T

 Panelists include GEORGIA STITT (Snow Child, My Lifelong Love); DONNA MOORE (Cougar The Musical); JUNE RACHELSON-OSPA & ALLISON BREWSTER-FRANZETTI (The True Colors of Weedle); CARMEL OWEN (Asylum: The Strange Case of Mary Lincoln); PAMELA GOLINSKI (Entertainment Attorney FGR & S PLLC); and TED CHAPIN (President, Rodgers & Hammerstein)

Light Refreshments Available

RSVP: Networking@TheatreWomen.Org

SAVE THE DATES

Monday February 29, 2016, 6pm-8pm

Unsung Heroes:  Backstage Professionals

Monday, May 9, 2016, 6pm-8pm

New Wave:  Young Members and their Projects

LPTW Members: FREE                   Non-Members $15                        Non-Members with Theatrical Union Affiliation $10

The Power of Words…and Girls

Posted: 07/29/2015 6:22 pm EDT Updated: 07/30/2015 1:59 pm EDT

On a warm summer evening in Bedford, New York, surrounded by rolling hills and a warm audience of supporters, the girls introduced themselves, in all their diversity and honesty: “I’m yellow.” “I’m white.” “I’m caramel.” “I’m bi.”

The bullied girl who found school “the scariest place to be,” who “went to the blade because I felt afraid.” Jewel.

The girl who “just because I’m in seventh grade doesn’t mean I’m any less discriminated against.” Emma.

The girl whose dad “beat my mom for 15 years, [but though] she was down she brought herself up.” “Elizabeth.”

“Sticks and stones can break your bones,” finished one, but words can hurt you.”

Words are the currency, and the power, of the young performers of Girl Be Heard, artists and activists who bring global issues affecting girls center stage in cutting-edge theatre. The nonprofit company has performed at the White House, the United Nations, the State Department, TED conferences, and in underserved communities locally and globally. Major original productions have addressed homelessness, the rape epidemic in the Democratic Republic of the Congo, sex trafficking, and gun violence.

Girl Be HeardIt always starts with the personal. When Hazel joined Girl Be Heard, she heard the story of Melanie, whose brother was shot and killed in 2010–something she could not have experienced otherwise. So she shared her stories too. “Society teaches us to gulp down pain and not be vulnerable,” Hazel says. “Girl Be Heard gives us a place where we can be vulnerable.” As Executive Director and Co-Founder Jessica Greer Morris pronounces, “We take the shame out of the equation…and show that you can rise above adversity.”

And they change lives. “I owe this group so much,” says Alexandra Saali, a founding member from 2008 who now serves as a Young Professionals “Amplifer” for Girl Be Heard. Hearing about the plights of Congolese women and the other girls gave her “purpose, mission, and the drive that kept me on track through the crazy years of growing up.” Alexandra is bound for medical school after she graduates from Brown University.

Brmuda

Julienne Lusenge (r), President of Female Solidarity for Integrated Peace and Development, a coalition of 40 women’s organizations in DR Congo, so believes in Girl Be Heard that her daughter Raissa is joining. Also at the Bedford home of Chairperson Jackie Shapiro was former Premier of Bermuda Dame Pamela Gordon-Banks (l), to be honored at this year’s “Gotta Love Girls” Gala.

In Bermuda, she said, “We have a saying: ‘For each one, reach one, teach one.'” She went on to share the impact of Girl Be Heard performing in Bermuda, “where, being a small country, people can be quiet. These young ladies made it possible for people to realize they can have a voice, and that everyone has a story. With a support system you can do and be anything. The sky is the limit.”

Which is at the core of Girl Be Heard’s philosophy: if a girl can change her own life, she can change the lives of girls everywhere.

This upcoming season, the girls will address eating disorders and the $55-billion-dollar-a-year diet industry in a documentary theatre and dance piece called Embodi(ED). They also have workshops, school groups, and ensembles. When girls audition, Artistic Director and Co-Founder Ashley Marinaccio is looking for “raw talent, passion, and the potential to develop as an artist and thinker.” Most important: “someone with something to say.”

Mom & Daughter

Girl Be Heard takes it from there. “Our job is to put Miracle-Gro on these young talents,” says Greer Morris, to empower young women to become brave, socially conscious leaders in their communities. They also build lasting and invaluable community–family, really–for the girls. “Once you’re a member of Girl Be Heard…you’re with Girl Be Heard for life.” Full disclosure–my daughter (r) is a proud member of Girl Be Heard. I’m a proud mom, who also works in philanthropy and knows “making a difference” when I see it.

Girl Be Heard is the real thing. They make a difference. They change lives. And they speak to us all.