Yvette Heyliger: Lessons to Learn

I am encouraging my students to be students of the world: to look around them, to see what’s happening, see how their lives are affected by world events and the changes of our society because that’s fodder for future plays that they may write or that they may participate in as artists.

YVETTE HEYLIGER Playwright/Director/Producing Artist/Author is a lifelong theatre artist, as well as an educator, and the author of What a Piece of Work is Man! Full-Length Plays for Leading Women. Yvette is a long-time activist for women in the American theatre and was recently named a finalist for the Advance Gender Equity in the Arts 2022 AGE Legacy Playwright Grant. 

The Children of the People: Writings by and about CUNY students on race and social justice, offers the perspective of past and present CUNY students–some, now faculty–on the success of this experiment.

Join us in the James Gallery at the CUNY Graduate Center to celebrate the launch of the book with an evening of readings by the book’s contributors Connie Gemson, Yvette HeyligerJose LopezKate McCaffreyLee Painter-KimJavier RiverosCynthia Tobar, and Alison Wong who will be joined by the editors Rose M. KimGrace M. Cho, and Robin McGinty, followed by a discussion lead by scholar, editor, and activist Conor Tomás Reed on the writing of the book as well as the current state of CUNY and public higher education. 

Date and time

Thursday, September 15, 2022

5:30 PM – 7:00 PM EDT

Location

The James Gallery

365 5th Avenue

New York, NY 10016

YVETTE HEYLIGER is a playwright, producing artist, educator, activist, and author of What a Piece of Work is Man! Full-Length Plays for Leading Women. Yvette has contributed to many anthologies including On Holy Ground: The National Black Theatre Festival Anthology, ARTemis Arts Wisdom Anthology, She Persisted: 30 Ten-Minute Plays by Women Over 40, She Persisted: Monologues from Plays by Women Over 40, Performer’s Stuff, The Monologue Project, Later Chapters: The Best Scenes and Monologues for Actors over Fifty, Short Plays on Reproductive Freedom, 24 Gun Control Plays, The Best Women’s Stage Monologues 2003, and The Best Stage Scenes 2003. Yvette has also penned theatre industry-related articles for magazines, blogs, a scholarly journal, and textbooks including The Children of the People: Writings By and About CUNY Students on Race and Social Justice and Performing #MeToo: How Not to Look Away. Realizing that in order to grow as a playwright she needed to see her work living and breathing on the stage, Yvette hung up her shingle and became a producing artist. Yvette’s plays, including her one-woman show, have been presented in theatre festivals in NY and LA, as well as at the prestigious National Black Theatre Festival. Yvette is a long-time activist for women in the American theatre and currently serves as a member or in a leadership capacity with Honor Roll! (an advocacy group for women+ playwrights over 40), Dramatists Guild’s Diversity Equity Inclusion Access committee, the League of Professional Theatre Women, and 50/50 in 2020. Awards: Finalist – Advance Gender Equity in the Arts 2022 AGE Legacy Playwright Grant finalist, AUDELCO Recognition Award for Excellence in Black Theatre’s August Wilson Playwright Award, National Black Theatre Festival Emerging Producer Award, and Best Playwright nomination NAACP’s Annual Theatre Awards, among others. Memberships: Dramatist Guild, AEA, SDC, and AFTRA-SAG. Yvette Heyliger | New Play Exchange

Social Media: 

Facebook: Yvette Heyliger | Facebook

Twitter: Yvette Heyliger (@Twinbizness) / Twitter

Instagram: Yvette Heyliger (@twinbizness)

LinkedIn: Yvette Heyliger | LinkedIn  

Off-Broadway Review: ‘The Lady Liberty Theater Festival’ at Urban Stages

New York Theatre Guide Posted By: Jacquelyn Claire on: September 10, 2016

LLTF promo poster June 24

“The Lady Liberty Theater Festival,” presented by Aizzah Fatima and Monica Bauer, comprises three short punchy plays and a song in praise of freedom and against Islamophobia. As I arrived in the theater, the soundtrack was blasting out music with American themes. I got into the mood as Neil Diamond sang, “they’re coming to America.” As a recent immigrant to the shores of the Land of the Free, I felt the need to sing along, quietly.

. . .deeply satisfying. . .

The scene setter was a quirky comedy called “Lady Liberty’s Worst Day Ever,” written by Monica Bauer. Lady Liberty (Frances McGarry) has been summoned to her agent Vinnie’s office (J.Dolan Byrnes), and if she can stay off her cellphone for long enough, he will tell her the shocking news that Trump is about to rebrand her in his image and do away with the Emma Lazarus poem on her pedestal.

Cheryl King directs this comedic sketch, where she crafts a pithy little satirical stab at the “Orange” man who has literally forgotten where he comes from. Byrnes and McGarry charge around the stage with enough energy to set the Lady’s torch on fire. They have great stage chemistry together and seem to really enjoy their volleys of dialogue, served forcefully at each other.

Dolan Byrnes soulfully covered the scene change with a rendition of the Irish traditional folk song “No Irish Need Apply,” beautifully setting the context of bigotry and exclusion through the ages in Manhattan. We segued into the next movement, “No Irish Need Apply,” written by Monica Bauer and directed by Cheryl King. Joan Fitzgerald (Frances McGarry) is a shop owner looking to hire a new employee. Ahmed Famy (Ali Andre Ali), a Shi’ite Muslim, enters to apply for the position. He takes one look at the image of the “Bleeding” Christ on the wall and decides he would not be welcome.

What follows is a very clever job interview which exposes prejudices and cultural assumptions in a refreshing way. Ali is powerful as the defensive and stoic academic. He has a wonderful command and ease on stage, which makes him extremely watchable. McGarry was lovable and charming as the irreverent and open-minded Irish widow. It feels like this sort of situation is happening all over the city on a daily basis, but I am not sure that the outcomes are as congenial and generous as this pleasant oasis.

The final element of the theatrical Lady Liberty hat-trick was “Dirty Paki Lingerie,” brilliantly written and performed by Aizzah Fatima, with direction by Erica Gould. This was more of a standard one-woman show length, so it was deeply satisfying. The other performers had joyfully served up the appetizers and entrees so that we could sink our teeth into this delicious main course. Fatima and her transforming piece of green fabric weave a tale of various Pakistani women living in the U.S. who are torn between cultural expectation and their personal desires. She inhabits mothers, strong independent woman, children, teenagers, and traditional girls who show the diversity of experience of being a woman in their community and in the United States. The six Muslim-American women were drawn from real-life incidents and interviews, which lends a truthfulness to the production that is spellbinding.

Gould has ensured a piece that has flawless transitions between characters and situations, allowing Fatima to excel in birthing this wide range of distinctive female Pakistani dreamers. Fatima is an extraordinary performer with a vocal range that is impressive, and she is enormously funny. This piece will definitely have a long life ahead of it!

“The Lady Liberty Theater Festival” celebrates freedom of speech, the power of artists to defy oppression, and the ability to heal after traumatic life events. On the eve of the 15th Anniversary of 9/11, this festival is a perfect way to honor the past by submerging oneself in the shadow of Lady Liberty to remind ourselves of our glorious freedom.

Running Time: 90 minutes, with one 10-minute intermission.

Advisory: Adult language makes this production inappropriate for some audiences. Recommended for ages 16 and up.

“The Lady Liberty Theater Festival” plays through September 25, 2016 at Urban Stages in New York City. For more information on this festival, click here.

Continuing the Conversation with. . . Marisa Vitali: Part II

 Marisa Vitali returns home to Northport, LI to show the premier screening of her movie, GRACE at the John W. Engeman Theater.  To raise awareness of the plight of recovering addicts Marisa shares her film and her courageous story of recovery in order to donate funds for the Northport-East Northport Drug & Alcohol Task Force. Listen to  interviews about the debut of GRACE:  Marisa Vitali (Actor, Producer, Writer GRACE),, Kevin O’Neill(Managing Director John W. Engeman Theater), Scott Norcott (Public Relations Coordinator, Npt.-E Npt Drug & Alcohol Task Force), Gabriel Manzueta (Sra NY Natl. Guard Counterdrug Civil Operations), Carissa A Cantone (SSG, NY Natl. Guard, Counterdrug Civil Operations), Irene McLaughlin(Asst. Supt. Human Resource Npt-ENpt School Dist), Darryl St. George(HS History Teacher Npt.-ENpt School Dist) and Anthony Ferrandino(Chariperson, Npt-ENpt Community Drug & Alcohol Task Force).

 

 

Take it Away! GRACE, the movie at the John W. Engeman Theater

 

The premier of the movie GRACE at the John W. Engemann Theater was held on June 7, 2016 to raise funds for the Northport-East Northport Drug & Alcohol Task Force.  Here are some of the reactions audience members”Took Away” with them after seeing the movie.

 Max Fulton-Peluffo, Video Editor

Former Northport teacher impacts students decade after retiring

League of Professional Theatre Frances McGarry taught English and theater in the Northport-East Northport school district until 2004. Her former students include Tony and Emmy winner Edie Falco, a graduate of Northport High School and a star of “The Sopranos” and “Nurse Jackie.” Photo Credit: Blanche Mackey image[1]

Updated June 18, 2016 10:18 AM
By Joe Diglio  joe.diglio@newsday.com

The biggest piece of advice Frances McGarry gave students over the course of her 30-year teaching career — take risks and don’t be afraid of failure — was crystalized in one young man who overcame his fears and found his voice.

McGarry said an eighth-grade student she once had was terrified of a public speaking assignment because of a speech impediment. His mother asked that he not participate, but McGarry refused. She worked with him to overcome his barriers.

“By the end of the year, he was speaking freely and confidently,” McGarry said. The student had revealed himself to be “a bright kid who had a lot to share and was eager to voice his opinions.”

McGarry, who taught English and theater in the Northport-East Northport Union Free School District until 2004, said she was fortunate to come across many students with whom she could share her passion of literature and the arts. Often, the roles between McGarry and her students reversed.

“The honors English classes’ literary discussions kept me on my feet and taught me to listen and guide their queries and observations,” McGarry said.

A decade after retiring, though, McGarry still is heavily involved in both teaching and theater. She continues to work as an actress, most recently performing in the off-Broadway musical “Votes.” As a board member of the League of Professional Theatre Women, she serves as a mentor to young actresses. McGarry also runs an arts advocacy blog called “First Online with Fran.”

She said it’s been rewarding to see her impact on those she taught.

One former student went on to become a famous actress of stage and screen. In a 2013 Broadway.com interview, she said McGarry was the teacher who inspired her to pursue acting.

High praise for the teacher, but to McGarry, she was still Edie Falco, the shy teenager who graduated from Northport High School. McGarry said she maintains a relationship with the former “Sopranos” star to this day and attends many of her performances.

“She’s just ‘Edie’ to me,” McGarry said.

Other students have reached out to her over the years, submitting testimonials on her blog about how the arts — and McGarry — have transformed their lives. Considering her continued involvement in theater and the lasting connections she has maintained with her students, it’s no wonder McGarry said she doesn’t miss teaching.

“I’m always amazed at the lives I’ve touched,” McGarry said. “There are so many paybacks to being a teacher.”

Editor’s note: This story is part of an ongoing series on the careers of retired Long Island teachers and where they are now. If you are a retired Long Island teacher and would like to share your story, click on the Newsday  link.

 

League of Professional Theatre’s NETWORKING MONDAYS; Meet the Music Makers!

In our continuing effort to develop and promote women in the professional theatre  we invite you to . . .

Networking Logo

NETWORKING MONDAYS

 Insights, Information, and Inspiration

Join your colleagues, expand your networks, bring a potential new member!

Monday, October 5, 2015, 6pm-8pm

Meet the Music Makers: Composers & Lyricists and

Special Guests discussing the Creative, Legal, and Financial Aspects of Songwriting


 Ripley Grier Studios 520 8th Avenue, Studio 16T

 Panelists include GEORGIA STITT (Snow Child, My Lifelong Love); DONNA MOORE (Cougar The Musical); JUNE RACHELSON-OSPA & ALLISON BREWSTER-FRANZETTI (The True Colors of Weedle); CARMEL OWEN (Asylum: The Strange Case of Mary Lincoln); PAMELA GOLINSKI (Entertainment Attorney FGR & S PLLC); and TED CHAPIN (President, Rodgers & Hammerstein)

Light Refreshments Available

RSVP: Networking@TheatreWomen.Org

SAVE THE DATES

Monday February 29, 2016, 6pm-8pm

Unsung Heroes:  Backstage Professionals

Monday, May 9, 2016, 6pm-8pm

New Wave:  Young Members and their Projects

LPTW Members: FREE                   Non-Members $15                        Non-Members with Theatrical Union Affiliation $10