Joan Kane & Gary Morgenstein: Taking a Bite of a Sweet Divide

I believe we’re broken. Everybody is broken in some way. Everybody has a story to tell. There are cracks in us…Kintsugi is the Japanese art of repairing broken objects by highlighting their cracks with golden powder. . . the original object is even more beautiful than before it was broken…America is going to be even more beautiful; we’re looking at our brokenness. And I really believe with my heart and soul that we’re going to be even more beautiful after this. ~Joan Kane

GARY MORGENSTEIN’S
A BLACK AND WHITE COOKIE
 IS A NEW OFF-BROADWAY COMEDY/DRAMA
ABOUT AN AFRICAN AMERICAN NEWSTAND OWNER ENCOURAGED TO FIGHT HIS EXORBITANT RENT INCREASE BY AN ECCENTRIC JEWISH RADICAL  

DIRECTED BY JOAN KANE, THE PRODUCTION NOW PREMIERES
THURSDAY, JANUARY 21 AT 7:00PM/ET AS PART OF TFTNC’s ON THE AIR SERIES
&  SUNDAY, JANUARY 24 AT 3PM/ET ON THE EGO ACTUS WEBSITE

Incorporating the pandemic experiences of the past eight months into their production that Covid-19 brought to a halt in March, the award-winning Ego Actus Theatre Company will still present Gary Morgenstein’s new drama A Black and White Cookie, but in an updated version that is set against the backdrop of New York City reopening, post-pandemic. The play’s schedule has been updated. The premiere will air as part of Theater for the New City’s virtual On The Air series. It is now slated for Thursday, January 21 at 7:00PM/ET, with an additional performance on Sunday, January 24 at 3PM/ET.
 
Directed by Joan KaneA Black and White Cookie was originally scheduled to premiere at the Pulitzer Prize-winning Theater for the New City on March 26, 2020. There are plans to stage the show at TFTNC when in-person performances are again allowed in New York City. 

The cast features Morry Schorr (Modern Family/ABC-TV), Roslyn Seale (The Color Purple/National Tour), Julie T. Pham (The OA/Netflix), Chris Collins-Pisano (Forbidden Broadway: The Next Generation/Off Broadway) and Mansoor Najee-ullah (Mulebone, G.R. Point, The Mighty Gents/Broadway).

Harold Wilson, a gruff, conservative African American senior, has finally reopened his East Village newsstand following the coronavirus lockdown. Then an exorbitant rent increase forces him to close after 30 years and reluctantly retire to Florida with his niece. Enter Albie Sands, an eccentric 1960s Jewish radical, who persuades Harold to fight the landlord. Overcoming their many differences, Harold and Albie form a powerful and unlikely friendship to confront corporate greed – and prejudice. 

Said Gary Morgenstein: “For this new production, it was important to update A Black and White Cookie by layering in the terrifying burden of the pandemic to portray a city struggling to come into the light. While the play reflects hard truths about fear, disease and bigotry, it’s ultimately positive and uplifting. What the world needs now more than ever is love and understanding, and faith in ourselves, and each other. If these two stubborn old guys can come together, so can all of us. You just gotta believe.”

Gary Morgenstein’s (playwright) novels and plays have been featured in national media from the New York Times, Entertainment Weekly, Parade Magazine, the New York Post, Sports Illustrated to NPR. His sixth novel A Fastball for Freedom, the sequel to his critically-acclaimed dystopian baseball-science fiction A Mound Over Hell (“1984 Meets Shoeless Joe”), will be published by BHC Press on March 25, 2021. In addition to A Black and White Cookie, he is the author of the stage dramas Saving Stan and A Tomato Can’t Grow in the Bronx, and the off-Broadway sci-fi rock musical The Anthem.  Morgenstein is developing the scripted television series Joyland, set during the tumultuous 1960s, with veteran network executive Russell Friedman and the award-winning Broadway performer and director DeMone Seraphin, who will direct the pilot episode on Zoom in early 2021.
 
Joan Kane (director) is the founding Artistic Director of Ego Actus and directed I Know What Boys Want at Theatre Row, Six Characters in Search of an Author in Oslo, Norway and Kafka’s Belinda in Prague. She also directed both Safe and what do you mean at 59e59 Theaters and in the Edinburgh Festival Fringe, getting four star reviews for each. Kane was awarded Best Director in the 2016 United Solo Festival was named to the Indie Theatre Hall of Fame by nytheatre.com. She has also directed plays and readings for the Lark, Ensemble Studio Theatre, the NY Fringe Festival, Theater for the New City, Urban Stages, Workshop Theater, Nylon Fusion, Abingdon Theatre, Oberon Theatre, the Samuel French Short Play Festival, the Midtown International Festival and The Actors Studio. Joan has an MFA in Directing from The New School, an MS in Museum Education from Bank Street College. She is a member of The New York Madness Company, the Dramatists Guild and the Society of Stage Directors & Choreographers. Kane recently directed two plays during the Ego Actus Survival is Insufficient 10-play reading series.
 

KINTSUGI is the Japanese art of repairing broken objects by highlighting their cracks with golden powder.  Often undertaken as a form of art therapy to encourage resilience, the art of kintsugi follows a slow and painstaking process that requires patience and concentration. Day after day, week after week, step after step, the object is cleaned, gathered, cared for, mended and celebrated.  The object becomes even more beautiful then it was before it was broken. Its about accepting and celebrating our brokenness.

ABOUT EGO ACTUS
The award-winning international production company Ego Actus (Latin for “My Way”) was founded in 2009 by Joan Kane and Bruce A! Kraemer, who created an independent theatre company dedicated to creating art for art’s sake. Since then their shows, which have been presented in New York City and Europe, have been nominated for 61 awards, winning 21. Ego ActusOff-Broadway shows have included Play Nice! at 59e59 Theaters, I Know What Boys Want at Theatre Row and Sycorax, Cyber Queen of Qamara at HERE, with other critically acclaimed productions at Theater for a New City, Urban Stages, and the WorkShop Theater. The European productions included Safe and what do you mean at the Edinburgh Festival and the Edinburgh Festival Fringe, Kafka’s Belinda and The Telegram in the Prague Fringe festival, while The Metamorphosis was performed in Prague and Budapest. Their two reading series have included Off the Page, seven scripts read to live audiences at TornPage and Survival is Insufficient, 10 scripts seen on Zoom.

Iman Aoun: Breaking Down Walls &Cultivating Hope Through Theatre

For over thirty-five years, Iman Aoun, a theatre-maker from Palestine has dedicated herself to advancing her mission of “breaking down walls” that exist as both physical and psychological phenomena by “cultivating hope [and creating] beauty and change” through her art.  Refusing to compromise her commitment to stripping both visible and invisible walls, Iman’s work has become a source of healing not only for her Palestinian communities, but also global populations.

Iman 2020

Iman Aoun (Actress, Director, Producer) began her career in 1984 with the internationally renowned Palestinian Theatre Company El-Hakawati. In 1991 she co-founded ASHTAR Theatre and serves as Artistic Director . Aoun holds a Bachelor Degree in Social Studies and a Diploma in Psychodrama and has written and published many theatre studies; devised many plays; and directed nationally and internationally. She is a recognized international trainer of the Theatre of the Oppressed technique, an Award winning actress and director for the stage in more than 60 productions, and has appeared in national TV series and international movies. Aoun has received numerous commendations for her work from different countries, international organizations and festivals, and has served as a Panelist for various world congresses and international conferences.

Among her most notable global projects is The Gaza Monologues.

Please visit the link below to become a patron of ASHTAR Theatre:  contributions could be as little as 5$ a month. Your support grants our continuation https://www.patreon.com/ashtartheatre

Global Giving at https://www.globalgiving.org/projects/ashtar-online-performances/photos/?fbclid=IwAR0-ihQ-TXfHKZZPNd16vTocB-eyCve4lY97WdX1BfdMkwwC3o7Glynh_fw#menu

iman@ashtar-theatre.org

https://www.facebook.com/iman.aoun.18

March Hare Media + Wheatsheaf Studio Productions marchharemedia.com

“Keep The Light On For Me” vocals, music and lyrics by Yuri Turchyn yuriturchyn.com

Valerie David: The Pink Hulk, a One-Woman Warrior’s survival story from cancer

 

Put on your Super Hero Cape when you listen to Valerie David’s podcast: The Pink Hulk, a One-Woman Warrior’s survival story from cancer. But her show is NOT just about cancer; it is about conquering our fears, our anxieties, our despair during the pandemic and removing our metaphorical masks to voice the racial injustices of Black Lives Matter.

 

Valerie David - Headshot - pc David Perlman Photography

Photo Credit David Perlman Photography

 

Valerie David is the writer and performer of the award-winning, critically acclaimed The Pink Hulk: One Woman’s Journey to Find the Superhero Within, which chronicles her journey to become a three-time cancer survivor with a combination of humor and drama to inspire and empower her audiences.

Valerie is also an improviser, published writer, editor and motivational speaker. A graduate of the American Academy of Dramatic Arts-Manhattan Campus and James Madison University, her credits include many productions such as the Off-Broadway musical A Stoop on Orchard Street, Rumors and Claudia Shear’s Blown Sideways Through Life. Films: How I Became that Jewish Guy and Bridges and Tunnels. Memberships: Dramatists Guild, TRU, League of Professional Theatre Women, AEA and SAG-AFTRA. With more than 20 years of experience as a writer and an editor, she also teaches improv and writing classes across the country and worldwide. Valerie is currently developing her new solo show Baggage from BaghDAD about her father and his family fleeing Iraq in 1941 from religious persecution—and how their survival shaped who she is today.

Upcoming Pink Hulk virtual performance: Excerpts with a special talkback in the Reykjavik Fringe Festival, Monday, July 6, 1:30 pm to 2:30 pm (Iceland time 5:30 pm to 6:30 pm)

Broadway World Play Review of The Pink Hulk:
https://www.broadwayworld.com/off-off-broadway/article/BWW-Review-Living-Life-to-the-Fullest-with-Valerie-Davids-THE-PINK-HULK-20191013

Valerie’s article in Broadway World regarding the coronavirus:
https://www.broadwayworld.com/article/BWW-Feature-A-Three-Time-Cancer-Survivors-Inspirational-Perspective-on-the-Coronavirus-by-Performer-Valerie-David-20200417

Website: https://pinkhulkplay.com/ 

Facebook: https://www.facebook.com/pinkhulkplay/

Twitter: @pinkhulkplay

IG: @pinkhulkplay

 

Aizzah Fatima airing her “Dirty Paki Lingerie”

 

So, what’s a young Muslim woman born in Saudi Arabia, raised as a US citizen in Mississippi, only to defy all the odds by moving to NYC to become a one-woman sensation in her highly- acclaimed show Dirty Paki Lingerie? Listen in to her airing an authentic assessment of how women, women of color, Muslim women break all the boundaries of what it means to be an American today.

AizzahFatima-097

 

Aizzah is an actress and writer from New York City by way of Mississippi. After training as a Microbiologist and working as an ads engineer at Google, she traded in her Google perks for the arts, and hasn’t looked back.

 

Dirty Paki Lingerie will stream on Facebook and YouTube through the Family Festival: Galactic Women on June 6, 2020.

Aizzah Fatima has been featured on NPR, The Guardian, Women’s Hour (BBC), The Wall Street Journal, Newsweek, The New York Times, and The Huffington Post. Her comedy one woman play ‘Dirty Paki Lingerie’ has toured in the UK, Italy, Canada, Pakistan, Turkmenistan, and the Edinburgh Fringe Festival. She co-produced the feature film ‘Horror Time’ with James Franco, and is currently in post production on her feature film American.ish. She wrote and starred in short films Off Duty, Doff Thy Name, and Stuff opposite Annette O’Tolle. TV acting credits include High Maintenance (HBO), The Good Wife (CBD), The Code (CBS), Mr. Robot (USA Network), Patrice O’Neal’s Guide to White People (Comedy Central pilot), and Matae Jaan (HUM TV, Pakistan). She is currently developing a comedy TV pilot titled ‘Muslim Girls DTF: Discuss Their Faith’ based on the webseries of the same name.

Here is a link to a short Dirty Paki Lingerie promo: https://www.youtube.com/watch?v=-z3gc7fMqY4

IG/Twitter:  @AizzahFatima

#MPAC   #Muslimartists   #DirtyPakiLingerie

 

 

 

All About Image/We Are The Elite

All About Image

Marcina Zaccaria’s All About Image/We Are The Elite

Directed by Tony Tambasco

 

A drama written in the present time, taking place in New York City and other parts of the U.S., All About Image/ We are the Elite is a journey of the people who make images. In the process of capturing and making these images, the characters explore their personal relationships while re-affirming their aesthetic principles.

What they see is under critique. What they present is a complete outpouring of their entire vision.

Part of the New York International Fringe Festival

Photos courtesy Steven Pisano

Kraine Theater

85 East 4th Street

New York, NY 10003

View Map

October 3 @ 7:00pm

October 4 @ 7:00pm

October 5 @ 5:15pm

October 6 @ 5:30pm    

Featuring:

David Arthur Bachrach *

J. Dolan Byrnes *

Frances McGarry *

Jeff Burchfield *

Don Carter *

Catherine Luciani

Milton Lyles II

Nana Ponceleon

Akin Salawu

Lourdes Severny

Kelsey Shapira Katy Wilson
* Appears courtesy of Actors’ Equity Association


Further details at Fringe BYOV.

Tickets available through Eventbrite