Romy Nordlinger: An Empowering Voice

Learning through The Arts [as] being one of the most transformative vehicles in which we really get to a person’s soul and to realize they’re not alone in their feelings and that is by exchanging [ideas] and THAT is what theatre does…We have everything to gain by stories being told that we need to hear now and now more than ever.

Romy Nordlinger is a NYC based Actor/Playwright and Audiobook Narrator. An award-winning bestselling Audiobook Narrator, Romy has recorded over 350 titles. Her acting roles include Guest and Co-starring roles on Bull, Manifest, FBI, Law & Order (Officer Talbor) and numerous independent films.

Her acclaimed solo show PLACES (now Garden Of Alla) based on the life of trailblazing Broadway and Silent Film star Alla Nazimova, recently played at The Kennedy Center as well as 59E59, Edinburgh Fringe, Jerry Orbach Theatre Center, HERE Theater, The Jewish Museum, The Players Club, Dixon Place. 

Romy’s original multimedia solo show Garden of Alla, tells the story of Alla Nazimova, the rule-breaking, lesbian Broadway and Hollywood legend. From a Jewish immigrant fleeing Crimea and the Tsars to Hollywood’s first female director and producer and one of Broadways’ brightest stars, Nazimova was a trailblazer who wouldn’t be silenced. Nordlinger’s solo performance reimagines one of the most daring and censored artists of the 20th century who tells it like it was… and still is.

A constant video stream is projected behind and onto the performer throughout the play, becoming a part of her. This visual landscape of atmospheric textures echoes Nazimova’s thoughts, layered with scratched celluloid, as if from a flickering silent movie projector. Evocative images inform moments of her life in Russia, New York and Hollywood, including her infamous Garden of Allah.

The sumptuous musical score by Nick T. Moore accompanies the play. 

Directed by Lorca Peress.

Some Off-Broadway credits include Ginger in Lancelot by Steven Fechter (The Woodsman) at Judson Gym, Shakespeare’s Slave at the Clurman and Caligula at The Kirk Theatre Row. Regionally she’s performed at Actors Theatre Of Lousiville, Wilma, & Shubert amongst many others.

Amongst other plays by Romy: The Feeling Part (Jimmy’s No.43/Playwrighting Collective, and live streamed internationally by LoNyLa), Sex & Sealing Wax (Estrogenious Festival, MITF), Broadville (Source Theatre, Clurman Theatre), Lipshtick (New York International Fringe Festival/Dixon Place). She livestreamed her newest work Amazing Grace and NYSeeing2020 at Nuyorican Poets Café. 

As a theatre teaching artist she has used theatre as a learning tool to teach literacy and self-awareness to underserved communities in every borough of Manhattan for the past 15 years. 

Member of the Dramatists Guild, League Of Professional Theatre Women, NY Madness, Resonance Theatre Ensemble, Flux and The Playwrights Gallery.

As a theatre teaching artist she has used theatre as a learning tool to teach literacy and self-awareness to underserved communities in every borough of Manhattan for the past 15 years. 

@Nordlingerromy

gardenofalla.com

romynordlinger.com

Audible Narration

IMDB

Yvette Heyliger: Lessons to Learn

I am encouraging my students to be students of the world: to look around them, to see what’s happening, see how their lives are affected by world events and the changes of our society because that’s fodder for future plays that they may write or that they may participate in as artists.

YVETTE HEYLIGER Playwright/Director/Producing Artist/Author is a lifelong theatre artist, as well as an educator, and the author of What a Piece of Work is Man! Full-Length Plays for Leading Women. Yvette is a long-time activist for women in the American theatre and was recently named a finalist for the Advance Gender Equity in the Arts 2022 AGE Legacy Playwright Grant. 

The Children of the People: Writings by and about CUNY students on race and social justice, offers the perspective of past and present CUNY students–some, now faculty–on the success of this experiment.

Join us in the James Gallery at the CUNY Graduate Center to celebrate the launch of the book with an evening of readings by the book’s contributors Connie Gemson, Yvette HeyligerJose LopezKate McCaffreyLee Painter-KimJavier RiverosCynthia Tobar, and Alison Wong who will be joined by the editors Rose M. KimGrace M. Cho, and Robin McGinty, followed by a discussion lead by scholar, editor, and activist Conor Tomás Reed on the writing of the book as well as the current state of CUNY and public higher education. 

Date and time

Thursday, September 15, 2022

5:30 PM – 7:00 PM EDT

Location

The James Gallery

365 5th Avenue

New York, NY 10016

YVETTE HEYLIGER is a playwright, producing artist, educator, activist, and author of What a Piece of Work is Man! Full-Length Plays for Leading Women. Yvette has contributed to many anthologies including On Holy Ground: The National Black Theatre Festival Anthology, ARTemis Arts Wisdom Anthology, She Persisted: 30 Ten-Minute Plays by Women Over 40, She Persisted: Monologues from Plays by Women Over 40, Performer’s Stuff, The Monologue Project, Later Chapters: The Best Scenes and Monologues for Actors over Fifty, Short Plays on Reproductive Freedom, 24 Gun Control Plays, The Best Women’s Stage Monologues 2003, and The Best Stage Scenes 2003. Yvette has also penned theatre industry-related articles for magazines, blogs, a scholarly journal, and textbooks including The Children of the People: Writings By and About CUNY Students on Race and Social Justice and Performing #MeToo: How Not to Look Away. Realizing that in order to grow as a playwright she needed to see her work living and breathing on the stage, Yvette hung up her shingle and became a producing artist. Yvette’s plays, including her one-woman show, have been presented in theatre festivals in NY and LA, as well as at the prestigious National Black Theatre Festival. Yvette is a long-time activist for women in the American theatre and currently serves as a member or in a leadership capacity with Honor Roll! (an advocacy group for women+ playwrights over 40), Dramatists Guild’s Diversity Equity Inclusion Access committee, the League of Professional Theatre Women, and 50/50 in 2020. Awards: Finalist – Advance Gender Equity in the Arts 2022 AGE Legacy Playwright Grant finalist, AUDELCO Recognition Award for Excellence in Black Theatre’s August Wilson Playwright Award, National Black Theatre Festival Emerging Producer Award, and Best Playwright nomination NAACP’s Annual Theatre Awards, among others. Memberships: Dramatist Guild, AEA, SDC, and AFTRA-SAG. Yvette Heyliger | New Play Exchange

Social Media: 

Facebook: Yvette Heyliger | Facebook

Twitter: Yvette Heyliger (@Twinbizness) / Twitter

Instagram: Yvette Heyliger (@twinbizness)

LinkedIn: Yvette Heyliger | LinkedIn  

Emma Palzere-Rae: Raising Representation Awareness

Theatre is a way to bring people together in a non-confrontational way. You could do theatre as a political act and say it’s a political act; you can do theatre as an art and bring people together in the room to have that experience while people are being entertained and reacting emotionally; that they react and get them thinking and hopefully move them to take action these days.

Emma Palzere-Rae is a playwright, actor, director, producer and non-profit administrator. Emma spent 15 years as part of the NYC theater community, where she began producing one-woman plays and founded the Womenkind Festival. Over its ten-year run, Womenkind presented nearly 75 different performers, mainly original works. She is the Associate Director at Artreach, Inc. (Norwich, CT), and has also held the position of Artistic Director for Plays for Living (NYC), a touring company dedicated to social change, where she also wrote and developed plays for the repertoire.

Theater has the power to heal — bringing people together for a common shared experience, to laugh, to cry, to learn and, perhaps, to have a personal revelation or catharsis. Theater provides a space for personal and social change. Through my solo plays, I create theater that is a channel for that healing. 

Be Well Productions is receiving a grant to develop a new work! Thanks to @CultureSECT for all their work in creating this funding opportunity for our local artists and organizations.

Emma’s plays include “Aunt Hattie’s House”, about what compelled Harriet Beecher Stowe to pen “Uncle Tom’s Cabin”, and “Live from the Milky Way… It’s Gilda Radner!” Her current projects include “The Woodhull Project” about 1872 Presidential candidate, Victoria Woodhull; and the two-act “Finders Weepers”. Her one-woman plays tour throughout the country under the banner of Be Well Productions. Emma is passionate about nurturing theater artists and co-founded The Way of the Labyrinth Playwright’s Retreat, held every June since 2015 in southeastern Connecticut. Emma has also been an adjunct professor in the Arts Administration program in the Dramatic Arts Department at the University of Connecticut. Emma serves on the steering committee of the League of Professional Theatre Women (CT Chapter) and the boards of the CT Chapter of the Association of Fundraising Professionals, New London Arts Council, and East Lynne Theater Company. She is also a member of Actors Equity Association and the Dramatists Guild, where she serves as the regional representative for New England-West. Emma holds a B.F.A in Acting with minors in Creative Writing and Speech from Emerson College, Boston. In 2021, Emma was awarded an Artist Fellowship from the CT Office of the Arts.

An Arts & Health Agency

​Supporting mental health and wellness through the creative and performing arts since 1985!

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Dani Martineck: Pronouns Matter

In the moment we’re in, I myself, as an individual, have developed certain habits in ways of being where … if I am misgendered like it happened at the beginning of this conversation, to me, it becomes a learning opportunity.

Dani Martineck is a New York-based non-binary actor, writer, and award-winning audiobook narrator with a background in experimental psychology.

I’m a storyteller. I’ve found that in communicating truthfully through the stories I tell, other people feel seen and understood, and it just radiates this ripple of openheartedness outward to places I’ll never know.

they/them – what’s this?


Dani is here to celebrate moments of connection that bridge our experiential differences and create radical empathy. They bring their experience as a storyteller (as an actor, writer, and award-winning audiobook narrator), their experience as someone with their own daily meditation practice, and their experience as one who has found meaning living between several binaries to their offerings to you.

On screen, Dani has a recurring role on Blue Bloods on CBS, they can be seen (for a few seconds) cursing at Kendall Roy on HBO’s Succession and (for many more seconds) in short queer rom com Potion Masters, as well as several other short films and series. Their first audiobook narration, for We’re Not From Here by Geoff Rodkey for Penguin Random House, won an Odyssey Honor. Through both their acting and their writing, Dani celebrates moments of connection that bridge our experiential differences and create radical empathy. They also offer meditations for free on Insight Timer and in a more personalized process for custom guided meditations.

Explore some of Dani’s work:

Screenwriter, Producer, Actor:

Experimental-narrative short film The Rushing of the Sea explores familial loss and grief as an immersive experience. Younger and Older are adult siblings who’ve just lost their mother to terminal illness. Older is processing by taking care of Younger, who has sunk into a grief where she intrusively relives the last perfect day the three of them had together: on the beach, with the rushing of the sea underscoring impermanence. When Older has to leave Younger alone for the first time since the funeral, Younger’s surreal, sensory grief threatens to drown her. She must turn into the swell and face it, accepting the help and love of her family—both here and gone—to resurface.

Screen Actor:

Voice Actor:

Give Me Away by Gideon Media

Audiobook Narrator:

We’re Not From Here by Geoff Rodkey

The Witch King & The Fae Keeper by H.E. Edgmon

Dead Collections by Isaac Fellman

Paul Takes the Form of a Mortal Girl by Andrea Lawlor 

Writer:

“Pan the Pirate”

“Merlin and the Dragons”

“Storm Magic”

Nicky Beer: Real Phonies & Genuine Fakes, an exploration of our divided selves

Persona poetry is taking on a voice that isn’t yours and finding a way to speak your truths through that voice….to pursue a voice that isn’t necessarily heroic or very nice; it allows you to be transgressive in ways that you don’t feel comfortable speaking as yourself. It’s an incredible vehicle for play in poetry as well as the theatre.

I’m a displaced poet from Long Island living in Denver, writing with the hope that I’ll help other folks feel less alone. I celebrate all things queer, creepy, comic, disturbing, and tentacular in my work. Jon Cryer retweeted me once. 

Nicky Beer is a bi/queer writer, and the author of Real Phonies and Genuine Fakes (Milkweed, 2022). Her first two books, The Diminishing House (Carnegie Mellon, 2010) and The Octopus Game (Carnegie Mellon, 2015), were both winners of the Colorado Book Award for Poetry. She has received honors from the National Endowment for the Arts, MacDowell, the Poetry Foundation, and the Bread Loaf Writers’ Conference.

She is an associate professor at the University of Colorado Denver, where she is as a poetry editor for Copper Nickel.

Nicky Beer’s latest collection of poems is a “labyrinthine academy specializing in the study of subterfuge; Marlene Dietrich, Dolly Parton, and Batman are its instructors. With an energetic eye, she thumbs through our collective history books—and her personal one, too—in an effort to chart the line between playful forms of duplicity and those that are far more insidious.” Lambda Most Anticipated LGBTQIA+ Book of March 2022

What is illusion—a deception, or a revelation? What is a poem—the truth, or “a diverting flash, / a mirror showing everything / but itself”?

Through delicious japery, poems that can be read multiple ways, and allusions ranging from Puccini’s operas to Law & Order, Beer troubles the notion of truth. Often, we settle for whatever brand of honesty is convenient for us, or whatever is least likely to spark confrontation—but this, Beer knows, is how we invite others to weigh in on what kind of person we are. This is how we trick ourselves into believing they’re right. “Listen / to how quiet it is when I lose the self-doubt played / for so long I mistook it for music.”

Real Phonies and Genuine Fakes asks us to look through the stereoscope: which image is the real one? This one—or this one, just here? With wisdom, humility, and a forthright tenderness, Nicky Beer suggests that we consider both—together, they might contribute to something like truth.

To purchase: Click on this link

Twitter: @nbeerpoet

Website: nickybeer.com

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