Testimonial #41: Joseph Crawford, Creative Producer/Artist

“The reality of the Arts as an industry is that you will be made to work hard, adapt to foreign situations, work for free (for a bit), and take your fair share of rejections… but it’s worth every minute when you see YOUR idea turn into a reality. “

How has your life been indelibly touched by a teacher who utilized the arts for whatever reason and acknowledge how they were instrumental in breaking the mold to allow you to become who you are today?

Mark, my English Literature teacher at Birkenhead Sixth Form College, taught me more than just an appreciation of history’s greatest written works – he also taught me that creativity is a choice, and it needs tending to if it is to blossom. Mark was a spell-binding individual; pony-tailed, long-bearded, and walked with the aid of his tree-branch staff (taken from the tree Wordsworth liked to sit under) – the definition of a romanticist. He would finish lessons 30 minutes before their time, and invite us to spend the rest of the time writing poetry. It was my own choice, and pleasure, to stay behind constructing sonnets while most of the classroom left. Through Mark’s lessons, I realized that I was not going to follow the same path as the majority. Nowadays I am surrounded by inspirational figures; Charlotte Corrie/Christina Grogan – Open Culture, Chris/Kaya Carney – Threshold, Alex McCorkindale, Director of Flux Liverpool (to name just a few) – Liverpool’s cultural icons who invest their time and energy into making the Arts a sustainable industry, and to inspire the next generation of Creatives. If I have a creative idea, I know where to begin in order to set the wheels in motion – never forgetting the realities, the costs, and the rewards of this harmonious community. Without mentors, young people in the arts will simply make the same mistakes as their predecessors, and in an increasingly difficult economic environment, we need all the help we can get. Cultural education starts in the Arts, and leads to bigger things than you can imagine.

How are the arts re-igniting your community and sparking innovation and creativity in your local schools?

 Since recognizing that the Arts is a nurturing community, I have encountered a body of wonderful people, discovered mind-blowing talent, and found true purpose. At the start of my third year of university after wading miserably through another “student-night” in a cesspool of night-clubs, I cried out ‘There has to be more than this!’ Two terms later I dusted off my guitar and began practicing again, eventually performing in the SU bar. By the end the following year, Lancaster had shown me a whole family of musicians, artists, actors, (and bar-staff) who genuinely cared about each other, and who helped me forge the tools for a career in the arts. Thanks to their tuition and support, I now perform across Merseyside – expressing my irrepressible creativity, and even getting paid for it. Now in Liverpool, I’ve found the same formula applies – a new family of supportive people who simply love to create. And it’s nowhere near as breezy, pie-in-the-sky as some people told me – it’s a commercially viable industry: the difference is that you are never left to fend for yourself! I have since learned the value of communications, marketing & PR, recognizing what a real team looks like, relationship-building, and so many more transferable skills! Like any industry though, there still exist odd barriers. Young people in the arts tend to be viewed as expendable commodities – an ornament used only for image, and rubber stamping ‘young’ ideas. Again, it all depends on who you’re working with; but the reality of the Arts as an industry is that you will be made to work hard, adapt to foreign situations, work for free (for a bit), and take your fair share of rejections… but it’s worth every minute when you see YOUR idea turn into a reality. Keep the Arts in schools – the future of the next generation of Creatives depends on it!

Testimonial #40: Jennifer Lavern, CEO of AURAA UNLIMITED

“These women, I give voice to, because their voice is my voice.  Their voice is our voice. They have broken traditions, fought to express themselves and because they’re fierce like that, they “don’t look like what they’ve been through.”

 How has your life been indelibly touched by a teacher who utilized the arts for whatever reason and acknowledge how they were instrumental in breaking the mold to allow you to become who you are today?

As a little girl growing up on a small island in the Caribbean, I, at once, hewed to and despised some of the more stringent traditions. At the time, the word sexist was not in vogue but somewhere deep within me I knew that my soul was being robbed of its fullest expression.

Being the eldest sibling my role as a leader was secure but the inner me rebelled at the very thought of gender submission.  It is not that I was personally subjugated. I attended an all-girl high school which was presided over by a formidable head mistress. Many of my teachers were women and the few people that I elevated to role model status were female.  Yet, there was a restlessness within, an unspoken but unrelenting whisper which kept beckoning me to seek grander pursuits.

Limited by geography as well as opportunity, I chose to explore a world unknown through reading. I read whatever I could get my hands on. Through the pages of the mystery books, sans illustrations, I could be whoever I chose to be. I could travel to any continent in the world and I could control my destiny just as the authors of my favorite tomes did.  As I got older and became familiar with different genres, I would engage the author in a battle of wits, racing ahead with a self-styled version of the conclusion, one that I conjured to suit my fancy. Often, we would wind up on the same page, author, protagonist and audience; audience of one.

The more I read, the more I came to understand the power of the pen. The power of the pen soon gave way to the power of the written word. The written word became my escape from the confines of the edited spoken word.

My mind could freely wander away from the dictates of the patriarchal systems of education, religion and culture. I could easily segue from adventurer to jet setter, from hall monitor to strip teaser all the while maintaining the demeanor that won me an award for comportment. I could create roles for myself that would shock the establishment but would fill my fanciful world with excitement. Through my early writings my teachers came to know the person behind the pressed school uniform, the passion beneath the pirate hat, but only as much as I allowed. Hints of my quiet rebellion would emerge but could be discerned by only the most careful observer.

Years later, a college professor, Dr. Shine, broke the code as she discovered that my opinion pieces were particularly pithy, betraying a more than casual observer. She encouraged me to enroll in an advanced English class which tackled themes that questioned the very core of my belief systems. There I learned to wrestle with the status quo. It was in that class that I came to appreciate the plight of “Everyman,” the constant struggle of our higher consciousness to subdue our lower nature. It was the thinking developed in that setting which taught me that the gender war is timeless, universal and that without great sacrifice there could never be great victory.  It was there I discovered that the most brilliant diamond needs undergo tremendous pressure to release its shine.  Then, it was all theory. Now, it is a living truth.

I have watched individuals face insurmountable odds and eventually triumph at the very brink of defeat. I have seen women fearlessly brave crushing challenges and cave at the onset of moderate pressure only to rise again at the edge of their mortal strength.  These women, have become for me, icons of virtue by virtue of their resilience. These women, have become the women I admire and whose cause I am honored to champion. These are the women who inspire me and whose stories I am now chronicling in my upcoming book titled, “A Quote She Wrote.”

These women, I give voice to, because their voice is my voice.  Their voice is our voice. They have broken traditions, fought to express themselves and because they’re fierce like that, they “don’t look like what they’ve been through.”

For consideration to contribute to the book, “A Quote She Wrote,” please visit www.AQuoteSheWrote.com

 

Can Children Deprived of Arts Education Still Grow Up to Be Innovators?

September 8, 2014, 9:00 AM

by Robert Montenegro

“Michigan State University observed a group of its honors college graduates from 1990 to 1995 who majored in the STEM fields. Their research uncovered that of those students, the ones who owned businesses or filed patents had eight times the exposure to the arts as children than the general public.”
To learn more about why the arts are essential to a robust core curriculum (as well as to read up on STEM’s younger sibling, STEAM), check out Brady’s article in The Washington Post by Robert Montenegro

At STEAM Schools, Arts Are Woven Into The Curriculum

The idea behind STEAM – science, technology, engineering, arts and math – is to find ways to integrate the “A” into all class subjects, believing the fusion of arts and science gives students an edge to create and innovate.  Like STEM, it’s more a philosophy than a specific curriculum, emphasizing connections across subject areas and teaching kids to take what they’ve learned in one classroom and apply it in another.

“The arts should share equal status with STEM subjects,” says art teacher Kathy Pugh. “It has to be presented to the kids that it’s not an extra, that it is as important of a subject as your math,” she said.

How did arts integration impact your education?

0825siosteam[1]

StateImpact Ohio’s Amy Hansen takes us to Canton to introduce a STEAM school, a relatively new – and unproven – model that encourages students to innovate with an artistic touch.  Read more…

 

Real farm life, at the intersection of arts and agriculture

by Amy Mayer, Harvest Public Media

“Art is to stop and make you think,” she said. “That’s the goal of what we do, right? Is to put something out there to change an image or to update a perception.”

Artists use their work to understand the human experience. So here in America’s breadbasket, many artists turn their eyes on Midwestern farming. The intersection of agriculture and art features a lot more than amber waves of grain.

In a living room converted to a theater for the evening, Ethan Peterson and Madeleine Russell portray the characters from Mary Swander’s play, “VANG.” In it, the actors share the emotional stories of four immigrant couples who farm in Iowa. Swander used transcriptions of conversations with Hmong, Mexican, Sudanese and Dutch farmers to create the play.

“I’d written another play called ‘Farmscape,’” said Swander, who is Iowa’s poet laureate and an English professor at Iowa State University, “that was a verbatim play, a sample based on interviews of people in all sorts of different areas in the changing farm landscape. And I worked on that with my students and it toured extensively in Iowa and the Midwest, out to New York, Colorado.”

The success of “Farmscape” helped propel “VANG” into more communities. And the reception the plays have received, especially in rural locales, has led Swander and Fred Kirschenmann, of Iowa State University’s Leopold Center for Sustainable Agriculture, to consider how the messages of the arts might help bridge the chasm between farmers and consumers.  Read more…