Pat Addiss: Humble Guru

I don’t know all the answers. I mean I’m not some Great Guru. I just know what I know. I just know what has transpired in my life. You have to take chances . . . I will expire before I retire.

Reinventing Yourself: An Inspirational Talk Targeted for Women +50: When act one of life finishes, how do you raise the curtain on act two? Discover careers and ideas you never dreamed of.

Pat Addiss, Theater Producer, didn’t start out wanting to be a theatrical producer.  She was busy running the promotion company she founded, but after 30 years, she handed the reins over to her daughter.  Then in 2005, after ‘learning the tools of the trade,’ Pat went on to produce more than 18 Broadway and Off-Broadway productions including: “Spring Awakening,” “Vanya, Sonia, Masha and Spike” and “Desperate Measures.”  And…she’s never looked back!

We do not have equal rights, Ladies. It’s up to us to stick together and fight for our rights and help each other and help young people coming up. I think that’s so important. ~ Tony Award-Winning Broadway Producer Pat Addiss was interviewed by TV Journalist and Theatre Critic Roma Torre at the New York Public Library for the Performing Arts October 2022.

Pat Flicker Addiss is a native New Yorker. She was a child model and actress. Went to Finch College where she majored and graduated in honors in Costume Design and Merchandising. She married the love of her life and hoped to have 6 children, 5 of her own and one adopted. However, it was not the dream of her husband who really did not like children or the confines of married life, so 10 years and 3 children later they separated. He became a dead beat ex and she was forced to make a living for herself and children. After great despair and low self image, she started her own Company Pat Addiss Enterprises which designed and manufactured all items and widgets with Corporate names and logos. An impressive mix of diverse clients ie ChaseBank, Manufacturers Hanover, Reader’s Digest, Nestle, Renault , Kravis Center, Wall Street Journal, Ms Magazine, NBC, Ashford and Simpson. Johnnie Walker. Bacardi.

​With her profits, she was able to educate all of her children in private schools and cater to her passion of travelling the world to over 54 countries. When most people retire, Pat gave her company to her daughter Wendy (who still runs it) so she could start producing Broadway plays. The first was Little Women starring Sutton Foster. She is still at it with her latest new play Jane Anger starring Michael Urie. Is involved in the development of a new musical Carpathia, starting from scratch. In October she is being honored with LPTW Oral History that will be filmed for the archives of Lincoln Center Performing Arts Library. With a colleague, Magda Katz, she has initiated a formula to connect women through YaYa lunches, dinners and now the addition of upscale tea. She loves to speak to women over 50 “How to Reinvent Yourself.”

Jane Anger by Talene Monahon starring Michael Urie In “Jane Anger,” a new comedy by Talene Monahon, everyone is fed up with the endless waves of sickness and quarantine. The year is 1606, and we are in England, which is enduring another outbreak of the plague. But for one man, a late-career William Shakespeare, there are graver concerns: writer’s block.

The League of Professional Theatre Women (LPTW) is a membership organization championing women in theatre and advocating for increased equity and access for all theatre women. Our programs and initiatives create community, cultivate leadership, and increase opportunities and recognition for women working in theatre. The organization provides support, networking, and collaboration mechanisms for members, and offers professional development and educational opportunities for all theatre women and the general public. LPTW celebrates the historic contributions and contemporary achievements of women in theatre, both nationally and around the globe, and advocates for parity in employment, compensation, and recognition for women theatre practitioners through industry- wide initiatives and public policy proposals.

Any women working in the theatre industry are eligible to join LPTW. For more information on upcoming events and to join LPTW, visit http://www.theatrewomen.org

Addiss, a long-time member of LPTW, has produced more than 20 plays on and off Broadway. Many of these have won or were nominated for a Tony, notably: A Christmas Story; Promises, Promises; Passing Strange;  Little Women; Chita Rivera: The Dancer’s Life; Bridge and Tunnel; Spring Awakening; 39 Steps; Vanya and Sonia and Masha and Spike; and Eclipsed. View her complete Broadway credits here.

  • BOARDS:

NJ REP, Vala, Women in the Arts & Media Coalition

  • BROADWAY SHOWS

Little Women​

Chita Rivera: A Dancer’s Life

Bridge & Tunnel

Spring Awakening

Passing Strange

39 Steps

Vanya, Sonia, Masha & Spike

Promises, Promises

Gigi

Love Letters

Eclipsed

War Horse

A Christmas Story

And my favorite Off-Broadway show:

Desperate Measures, currently playing around the country.

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The Calamari Sisters: A Recipe for Coping with the Coronavirus

Feeling trapped during the COVID-19 self-quarantine? Here’s a pair of Italian Sisters, Delphine and Carmela, cooking up concoctions that will soothe your soul. Listen to their hilarious spin of how The Arts (and food) can cure what ails ya! 

The Calamari Sisters bill themselves as the only all-singing, all-dancing, all-cooking cooking show around.  Delphine & Carmela Calamari are two plus size Italian sisters from Bay Ridge, Brooklyn that began touring the country in 2009 with their stage shows.  Their irreverent comedy and outrageous kitchen antics have had people in stitches from California to Florida to Chicago to New York for the past decade.  They are currently in lockdown together and are looking forward to being with a live audience again.

Our new dinner show – THE CALAMARI SISTERS ON BROADWAY – is making the rounds:

April 23rd at Drifters on Owasco in the Finger Lakes of Central NY

May 14th at the Arlington Sons of Italy in the Boston area

June 4th at Galdo’s in Philly

July 23rd at the JCC of Rochester, NY

Other dates include –

A MUSICAL COOKING LESSON WITH THE CALAMARI SISTERS

May 21st at the Rex Theatre in Manchester, NH

June 11th at the Barrow-Civic Performing Arts Center in Franklin, PA

June 27-31 at the Bucks Country Center for the Performing Arts

CALAMARI SISTERS’ CLAM BAKE

July 7-16 at the Auburn Public Theater in Auburn, NY

All ticketing links and info are on our website – www.CalamariCookware.com

Calamari Sisters with dog
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Adopt a Nurse

Adopt A Nurse Campaign: Click on the link

Venmo:  @Delphine-Calamari

Paypal:  Email us at CalamariCookware@gmail.com telling us how many nurses you want to “adopt” and we’ll send you a PayPal request using that email address.

Facebook

Instagram:  @thecalamarisisters

Website: www.calamaricookware.com

First Online With Fran’s There’s No Place Like Art podcasts are produced by

March Hare Media + Wheatsheaf Studio Productions marchharemedia.com

Coping with Covid-19: Just Get Messy!

An interview with children’s author Rita Meade

The impact of reading out loud books to kids is transformative in so many different ways.  Children respond differently to the “messy message” and extrapolate solutions for Edward’s dilemma.

Covid-19 has changed our lives forever; in fact, it could be devastating. But Rita Meade’s prescient message in her 2016 award-winning book Edward Gets Messy offers a way for us to cope with the stress and confusion of social distancing by delving into our artistic souls to discover a stronger, self-confident version of our selves.

Without giving a spoiler alert, the story features Edward the pig who never EVER gets messy.  But what happens when a big tub of paint falls on Edward’s perfectly neat little head?  Getting messy has its upsides, too. Here’s how this metaphorical spin of spilled paint can offer us some perspective during this pandemic…

The Arts helps you do well academically Over the course of Rita’s educational K-12 journey, she participated in numerous art-related programs from elementary school enrichment activities to singing in the choir, learning to play musical instruments, to performing in high school children’s theatre productions.  All of this accumulated academic knowledge coalesced to help her to see the importance of children’s literature and how it could impact people’s lives. 

Despite her passion for pursuing acting as a career, she always loved telling stories. By “taking all the experiences from high school and beyond” she channeled her performance skills to be a children’s librarian and picture book author.  One of her favorite parts of being a children’s book author was visiting schools and interacting with children. The “impact of reading out loud books to kids is transformative in so many different ways.” 

Photo credit M. Bialaszewski

Children respond differently to the “messy message” and extrapolate solutions for Edward’s dilemma:  “Well, he can take a bath!” They insightfully perceive the situation as temporary and that this, too, will pass.  Ah, a lesson we can all embrace during this viral pandemic. Perhaps, we can all take stock of where we are academically in our lives and how we can use this time to reassess where our talents lie and weigh-in on where life will take us after the “paint has been spilled” ? Look to the future. You might just be surprised at the possibilities of seeking new career paths? New alternatives to adapting skill sets you might have otherwise shelved? After earning her Masters in teaching English Rita believed that this was the logical career path; to her dismay it was not.  And why . . .

The Arts strengthens problem solving and critical thinking skills.  For an A-Type personality demanding perfection, Rita, as you can imagine, was absolutely distraught. Resisting her mother’s earlier suggestion to become a public librarian Rita decided to give it a try.  She attended Queen’s College to earn a Master’s degree in Library Science.  “This is it!” eventually leading her to her current employment at Brooklyn Public Library. There were many “ups and downs,” along the way but Rita “learned a lot [through her failures and successes].”  Having to close the library due to the coronavirus was a paradox for her:  continue to comply with her conviction that libraries serve as centers of communities or close for the safety and well-being of its patrons?  Similarly, this juxtaposed Edward’s challenging crossroad to either wallow in the inevitable or rise to the occasion? When all programs had been cancelled, on the day before the library closed, Rita brought her guitar for children to strum, sing, and savor the joys of music.  During the session one little boy remarked how it was “the first time [he] ever played a guitar!”  By adjusting inevitable outcomes of separation from her prodigies, Rita realized how “the Arts change people’s brains in good way; it inspires hope, really. What else are we trying to do, you know?”  So, use this time of separation to shift gears:  think about taking out that guitar, the recorder you had in first grade, playing the piano.  Listen to your favorite tunes that got you to think about the world in a way that moved you to dance and celebrate life! Music will not only soothe your soul and ease your troubled thoughts, but also wipe away some of those cobwebs:  reading music, listening, BEING.   Memorize lines from a favorite poem. Read a play.  Sort through your bookshelf.  Re-read some of your favorite texts.  Remind yourself of what you once knew and valued.  Revisit that file of shelved things to do…

The Arts helps you to express your emotions.  Publishing a book is an arduous process. It requires trust, perseverance and humility.  Despite having a clear vision for the book, Rita learned to express her emotions through her art:   “It’s a lot of vulnerability . . . and you have to grow a thick skin.”  Besides trusting her editor with revisions, she had to learn to let go of some of her ideas.  For example, Rita had initially wanted the story to take place in a library, but after an exchange with the professionals, Rita decided to trust their judgement.   Kristin [her editor] gave her “a lot of great changes; a lot of great editing that [she] wouldn’t have thought of [herself]. Ultimately, it made the story better.”  Coping with criticism is another challenge. “People are going to read the book and will have opinions,” she said, “and you can’t control that.  Once the book goes out into the world it doesn’t belong to the writer; it belongs to the reader now.”   This was a challenge for Rita since she “sometimes just wants people to like [her].”  Trying to please others has always been part of her nature, but she knew it was something she needed to overcome.  And she did! “I can’t take it all personally . .  . [I’ll] just try to absorb all the good stuff and not the negative stuff.”  Good advice to heed during our solitary quarantine.  Sometimes, being alone allows us to be still, be patient, and listen.  Take a personal inventory of where you are at this stage of your life.  How much have you grown emotionally? What regrets can be amended? Introspection can offer time to examine our behaviors and what motivates us to be who we are. Make a list. What do you like about yourself? What do you need to change? What are some of your fears? Anxieties that keep you from taking a leap to a new job? Starting a new relationship?  Carpe Diem! Seize the day like Edward and Rita, to “[be] distraught and unsure of what to do…But Wait . . . “

The Arts gives you confidence.  Visiting schools has served to instill and inspire young audiences.  “If I can do it, “she says to her young charges, “you can do it. “ By being “live” Rita de-mystifies the persona of the author:  “Authors aren’t these mystical creatures; we’re people just like YOU!”  It is instilling this kind of confidence that made one child exclaim, “Now I want to write a book because I know that you did!”  To offer some sustainability once she has left the classroom, Rita provides her contact information to encourage her young prodigies to keep in touch.  For this teacher of Rita Meade, there is nothing more satisfying than to have a former student acknowledge how I might have played a part in the pursuit of her career. And why, during the corona virus we can look back on those teachers whose lessons have long ago shaped who we are and are grateful for their tutelage.  Write a note to that teacher.  Look them up on social media.  Thank them for their “art” of molding you into the human being you are today.  And why…

The Arts are an investmentNikki Haley former UN Ambassador recently shot off a tweet denouncing the emergency funding given to the National Endowment for the Arts, National Endowment for the Humanities, Corporation for Public Broadcasting, and the Kennedy Center as irresponsible and queried:  “How many more people could have been helped with this money?”  Rita would definitively tell her how “lucky she [Rita] is to see every day the difference that the arts make in children’s lives. . . if I’m doing story time or we’re doing an arts and crafts class you can see how it stimulates the children’s creativity and their thought processes and learning and just their emotional happiness.”  There is no doubt that the arts are fun for kids. Diving into those finger paints and making a beautiful picture to hang on the fridge is awesome. Acting in a play is exhilarating.  Ensure that they continue to shape and inspire our souls.  Use this time to donate to your favorite art institution, be it the playful Paperbag Players or Lincoln Center.  It’s what makes us humane. It is what will be our legacy.  We will survive this pandemic. With the Arts, anything is possible; because after all,   “Edward knows that it’s okay even for particular pigs to get messy. . . . “

Coda:  Frances McGarry, Ph.D. is a dedicated arts advocate committed to raising awareness of how The Arts Rejuvenate. The Arts Restore. The Arts are our Supernatural Gift.  It is the force that unites us as a single, breathing, living entity that connects every human being to be all that is good and pure.  She created a blog and podcast First Online With Fran to raise awareness of ordinary people doing extraordinary things in the Arts like Rita Meade and so many others. What will YOU do during this pandemic to make our world a richer, better place to be?

Rita Meade is a public librarian who lives and works in Brooklyn, New York. She has a background in youth services, has professionally reviewed children’s books for “School Library Journal,” and has written for literary sites including Book Riot and Reading Rainbow. Her debut picture book Edward Gets Messy was published in 2016 by Simon & Schuster Books for Young Readers and in 2017, it won the first ever Anna Dewdney Read-Together Award which recognizes a picture book that is “both a superb read aloud and also sparks compassion, empathy, and connection.”

Email: RitaMeadeAuthor@gmail.com

Twitter: @ScrewyDecimal

Instagram: @ScrewyDecimal

Edward Gets Messy

Winner of The Anna Dewdney Read Together Award

School Library Journal ‘Popular Pick’ 

Atlanta Parent ‘Best Book’

References & Resources…

10 Reasons Why Arts in Education Is so Important for Kids

Is your student looking to become more involved in the arts? Not only do K12 online public schools offer their students art and music courses, K12 has individual art classes for purchase. For more information on K12  and our programs that encourage student involvement in the arts, you can contact our enrollment team at 877.895.1754 or request to receive more information online.

Americans For The Arts

COVID19 Can’t Stop The Arts!

Gary Morgenstein’s A TOMATO CAN’T GROW IN THE BRONX

by BWW News DeskBroadwayWorld.comApr. 14, 2020 TweetShare

While waiting for the post-COVID 19 premiere of their new funny drama about racial harmony A Black and White Cookie, Playwright Gary Morgenstein and Director Joan Kane are teaming up to present an exclusive live online reading of Morgenstein’s A Tomato Can’t Grow in the Bronx at CreateTheater.com’s Monday Night Reading Series on Monday, April 27 at 7PM/EST, 4PM/PST. Please RSVP at info@createtheater.com

Set against the backdrop of the tumultuous 1960s, A Tomato Can’t Grow in the Bronx is a dramedy about a blue-collar family overcoming emotional warfare as they try leaving their crumbling Bronx tenement to fulfill the dream of an idyllic suburban home where tomatoes can grow.

The Monday Night Reading Series is produced by Off-Broadway producer, director and dramaturg Cate Cammarata for CreateTheater.com. It is dedicated to helping writers develop their work during the Covid-19 shutdown, and to creating an online theater community.

“Like my upcoming play A Black and White Cookie, A Tomato Can’t Grow in the Bronx is an uplifting story of a dysfunctional family – forgive the redundancy – who overcome their fears and differences to find a way to come together. In these unsettling times, theater should light a path through the terror, through faith in ourselves and each other, aided by the timeless and approved treatment of laughter.”

Featured in the reading will be J. Dolan Byrnes*, Frances McGarry*, Devorah Brand Palladino, Nick Palladino, Chris Collins-Pisano* and Taylor Graves. Stage directions: Laura Varela. (*appears courtesy of AEA).

All About Image/We Are The Elite

All About Image

Marcina Zaccaria’s All About Image/We Are The Elite

Directed by Tony Tambasco

 

A drama written in the present time, taking place in New York City and other parts of the U.S., All About Image/ We are the Elite is a journey of the people who make images. In the process of capturing and making these images, the characters explore their personal relationships while re-affirming their aesthetic principles.

What they see is under critique. What they present is a complete outpouring of their entire vision.

Part of the New York International Fringe Festival

Photos courtesy Steven Pisano

Kraine Theater

85 East 4th Street

New York, NY 10003

View Map

October 3 @ 7:00pm

October 4 @ 7:00pm

October 5 @ 5:15pm

October 6 @ 5:30pm    

Featuring:

David Arthur Bachrach *

J. Dolan Byrnes *

Frances McGarry *

Jeff Burchfield *

Don Carter *

Catherine Luciani

Milton Lyles II

Nana Ponceleon

Akin Salawu

Lourdes Severny

Kelsey Shapira Katy Wilson
* Appears courtesy of Actors’ Equity Association


Further details at Fringe BYOV.

Tickets available through Eventbrite